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post #14341 of 14385 Old 03-23-2020, 04:42 PM
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Yeah, that whole thing was clearly trying to seed interest in the Rick Grimes movie. Which I think is going for a theatrical release. We won't see any movement in that plotline on this show.
Late 2021 or early 2022 is when that's coming out? Will there even be viewer interest at that point?
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post #14342 of 14385 Old 03-23-2020, 05:19 PM
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Late 2021 or early 2022 is when that's coming out? Will there even be viewer interest at that point?

I think so, even if the railings have been dropping it still ills healthy numbers. Would never figure it for theatrical release, but if they kept the budget in check then it shouldn’t take much to at least break even.
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post #14343 of 14385 Old 03-24-2020, 03:59 AM
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Horrible episode. Vast majority was utterly useless and just a flashback/recap show. Only good part was near the end with the discovery. What a waste of Michonne's final episode. Totally disappointing.
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post #14344 of 14385 Old 03-24-2020, 04:30 AM
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Danai Gurira reveals all about Michonne's final episode of The Walking Dead

Warning: This article contains spoilers about Sunday’s episode of The Walking Dead, “What We Became.”

In the end, Michonne exited The Walking Dead the same way she arrived — hooded, with zombie pets, making the decision to help a stranger in need. Whether that decision will help reunite her with Rick Grimes in a Walking Dead movie, however, remains to be seen.

After eight seasons, Danai Gurira’s katana-wielding warrior has finally moved on. With the actress departing to become a showrunner on HBO Max’s upcoming Americanah (while also inking a new deal to create content for ABC Studios), it was time to chart an exit strategy for her character of Michonne, and that strategy culminated with Sunday’s “What We Became” installment.

After being trapped by Virgil, who had gone off the deep end after losing his family, Michonne was drugged — leading to a wild sequence of visions in which she imagined her life from a completely different perspective. That included her choosing not to help Andrea when they first met in the woods at the end of season 2, a visit from the deceased Siddiq, seeing herself as the doomed hitchhiker with the orange backpack, and most jarringly, her as a Savior, killing her friends and swinging Lucille.

Michonne eventually escaped, and after discovering Rick’s boots in a locker, embarked on a mission to find him. That mission began with her donning the hood, creating new pets, but then deciding to help a couple separated from their group. And that group could end up leading her right back to Rick Grimes.

It was a powerful, trippy episode, and an emotional farewell to one of the show’s most popular characters. It also turns out the emotion on set was just as high, as we learned when we spoke with Gurira about filming her final installment. Why was now the time for her to leave? What was it like walking off that set for the last time? What was the last scene she actually filmed? What was it like playing a Savior? And what did not end up making it into the final episode? Gurira opened up about all that and more as she looked back on the end of her Walking Dead TV series tenure. (Also make sure to read all about Gurira's next career move and our episode Q&A with showrunner Angela Kang.)

ENTERTAINMENT WEEKLY: First off, walk me through the decision to leave The Walking Dead. Why was now the time to make the move?

DANAI GURIRA: It was incredibly hard to even imagine leaving. I loved that show. I loved the family that I had there, and that I always have. The beauty of coming to work and loving the people you're around and the work that you're doing and the things you get to do and call it your job, is like nothing I could have imagined. So it's been a true gift to my life to have been part of it. It's always hard to accept that it's time to allow yourself to go in another direction. And it was incredibly hard to come to that place, but I had to. I had to start articulating it to myself and then to others, and it took a while to do that, because it was my home.

But there are aspects of my work as a writer, and I needed to allow it to have space. To really let it have its space in my life and in my artistic pursuits as well. And I just had to let the space come to pass. So it was really about that moment when you realize, I have to allow this change to be what I'm feeling it saying it needs to be. So it's a process to just come to the acceptance of that fact, and then you can see yourself that it's time to move to the next thing and create the space in your life for something else. And then stress because it's just incredibly hard. But yeah, it just felt like it was the time to do that.

Tell me about your involvement in coming up with this final chapter for Michonne on the show. What were the things you wanted to make sure were in there and part of the story?

I feel like our team did a really amazing job. They came up with this amazing architecture with the sliding-door component of how she revisits her life and what it could have been, and this-could-have-been-your-life-type thing. And she has the Virgil mission, that unfortunately does not prove successful. So it was very great architecture already in place. They were very generous about allowing me to get involved in various aspects of the story in certain ways.

They were very generous about how I was able to connect in with things. That was very important to me, of course, that her exit really made sense in terms of her doing it in a way that was very clearly coherent in what the circumstances were and leaving her children for a moment to pursue what seems to be a real indication of Rick very clearly possibly being alive and how to not explore that versus to explore that, and what information she would need to really see that through. And so there was a lot of details around that and around her. There were some things like that, but they were very, very generous. It was [showrunner Angela Kang’s] generosity that allowed me into the process that way.

Angela is known as a very generous and collaborative showrunner in that regard — always taking input from the cast. That collaborative nature much must've been pretty refreshing for you as an artist yourself.

Very much so. And she's great. What I love about everyone in this show and the stories and the journey I've been able to take with everyone is that the collaboration component has been so richly alive and everyone treats these others with so much respect and we're also in search of the best version of what we're trying to do. The story we're trying to tell collectively, there's such a collaborative energy to it with Angela and [Walking Dead chief content officer Scott M. Gimple]. I've had a really nourished experience on the show that way, and I don't take that for granted. So I'm very thankful to that.

Let's talk about some of the things we actually saw in this final episode. In terms of filming, what was it like for you to revisit some of these scenes and locations from the past? Eight seasons that you've been on this journey. What was it like getting to go back to some of those moments and play them in a different way and in a different context?

It was extremely trippy. It was extremely trippy and it was very trippy to watch also. Probably the one where she turns away from Andrea to see that sort of blended in with the Andrea footage and connected to the new footage was very trippy for me to see that Michonne and play that Michonne who turns away from that woman and that choice of what changed her entire life. For her to not have made that choice. That was very trippy. And then my connecting with Negan, that was a really back-road experience of trippiness and really just sort of playing out that lineup theme. I don't even know how to describe how trippy that was.

Well, how did it feel playing a Savior and being on the other end of that lineup, which you were in back in the day?

It was crazy. It was so nutty being Negan's right hand. It was a very emotional and painful experience shooting that scene with Negan, and it was our introduction. He just came in and had us on our knees, and then we were losing Glenn and Abraham. It was a really tough component. It was very straining and very emotional. So to step on the other side of it was profoundly trippy. And even the melding of Michonne looking dead into Rick's face, that pulled at my heart a little bit imagining that deeper reality of what was.

What was it like filming those scenes at the lineup where you’re having to react to people that aren’t actually there because it’s all going to be put together in editing? How did you handle that?

They had these fantastic doubles who were there, and they did a great job. And then good old imagination. They put down people there who were dressed as close to the actual people as they could be. And then I connected to them. I mean, there was a part that we didn't end up using where I was in Carl's face quite a bit. Really awful, but it didn't make the cut. I don't know how these things happen. But there was a double playing Carl, that was very dark. But, that exchange as well, for her to see that. We know how much Michonne loved Carl, but the underbelly of that. And if that hadn't gone that way. Basically, we recreated the lineup. Of course, [Jeffrey Dean Morgan] was there, and we created the lineup with the doubles and worked it that way, including a double of Michonne.

Oh, right. You're looking at your own double there. That's weird. I love the part of that scene where you look at it from the Saviors’ side and get in Rick’s face about the atrocities they committed. And you say, “You didn’t know who they were. Or where they were from. You didn’t know s— about them, but you came in the dead of night and slaughtered them anyway, in their sleep. Like cows.” That’s always been interesting to me because if you do look at it from the Negan perspective, that’s pretty messed up what Rick did.

Yes, yes, yes. And it was always a theme that we had to contend with as the Rick clan, was that we did that. That was always this really pivotal contention that we had made that choice to sort of eliminate a threat. But we did it unknowing that if there is a lot to come behind that because it eliminated, like, a 10th of the threat. And in a very evil way.

So how did you enjoy your death scene where Norman Reedus pumps you full of arrows?

It was awful, awful. No one wants to go down like that. I mean these are people you love, this is your family. So Norman and I shooting that scene, you know, he's left shooting through the crowd and shooting me. Then Rick’s boots pinning my leg, my arm down. That wasn't fun. I don't know how else to tell you.

Was there ever any talk of a zombie Michonne appearance in this episode?

Oh no, no, no. I guess we've never done that. I guess the closest we got was when she saw the woman who looked almost exactly like her in season 4, episode 9, where she kills all those walkers in the field.

What do you make of the significance of Michonne at the very end, sort of coming full circle and creating and then destroying another set of pets?

You know, I actually was very thankful for that. I thought that was a very generous way to let her exit because she has to be true to herself, and being true to yourself has its inconveniences. The aspiration is she is supposed to go and find her partner, love of her life, father of her children, bring him home. And that's something that in Michonne's mind, only she can do that. If he's out there and he needs help, only she can bring him back. So she has to go do that. But because she's being true to herself as she found that inkling to be true to herself, even when she was cut off from herself when she saved Andrea, she has her own aspirations in service of others. And that's who she's become.

And so to help these people at the end and get them towards their people is something she knows she can live with. And that's something she knows that she is. And so we see her exit to show that honest, truthful Michonne decision that we've seen her grow into over the course of her time on the show. But growing it more and more into her own heart and her own humanity. So I thought that was a great way for her to walk away through her stuff.

And if you look ahead, it ends with Michonne on this mission to find Rick. Does that kind of confirm that you're going to be part of this Walking Dead movie with Andrew Lincoln?

[Laughs] I mean, we'll see how it goes, man. You know what I mean?

That's all you're going to give me?

[Laughs] How many years have I been dipping and diving from your questions, man?

What was the last scene that you shot? I know it was probably some pickup or something or another, but what was the last scene that you did shoot on the show?

Sadly, horribly, it was the scene where I was the Savior and I was shooting Glenn and Heath.

Oh, right. When you're in the bed.

Yeah, that was the last thing. And then I was avoiding Rick, so it was that stuff. The stuff where they come into the satellite place, but me being a Savior. So I wasn't even in my wig. So it was interesting because I was dressed as Savior as I exited.

What were the emotions you were feeling as you were filming your last episode?

It was very, very, very emotional. There was a lot of love. I received so much love, I was really blown back by how much love I received from everybody. When you receive all that love at the same time around your leaving, I was overwhelmed, and just beyond full of gratitude. And so you're dreading that last day, that last minute, that last frame, you're dreading it. That's it. And at the same time, there's so much beauty and love around it that you're able to just be in the moment with it. So it was great. It was beautiful. It was like leaving home. There's nothing quite like it.

How did it feel when you drove off that set for the last time and you knew you were saying goodbye?

It was a lot of things, a little heartbreak. It was pain, but it was love and it was joy and it was peace because I feel like I left well. I left with having done my utmost best and given my all and having worked wonderfully with these people who I will always love and respect and I always have relationships with.

I stayed really late because I had to clean out my trailer, and Melissa [McBride] and Scott Gimple and Christian [Serratos] stayed with me. And then as I was like “Guys, I got to go,” Scott started playing a song on his phone, I can't remember what it was. Something scary, maybe something Star Wars-y. It was a tune we all know, but you're going to have to ask him what it was. [Ed. note: Gimple reports that the song was “Fanfare for the Common Man,” by composer Aaron Copland, while McBride also serenaded Gurira with “You’ve Got a Friend.”] And as I got to my car and they helped get everything in and I exited the studio for the last time, it just felt like it felt a completion. And so I'm thankful for that. I felt like I'd exited well. That was the feeling.

https://ew.com/tv/michonne-walking-d...hat-we-became/
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post #14345 of 14385 Old 03-24-2020, 04:51 AM
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The Walking Dead showrunner on what's next for Michonne

Warning: This article contains spoilers about Sunday’s episode of The Walking Dead, “What We Became.”

The bad news: Sunday’s “What We Became” episode of The Walking Dead marked the final appearance of Danai Gurira’s Michonne. The good news: The character’s end on the show seemed to hold the promise of possibility for an eventual reunion with her husband, Rick (Andrew Lincoln), in a series of planned Walking Dead films.

Sunday’s episode followed Michonne as she was locked up and drugged by Virgil, which led her on a series of tripped-out visions in which she imagined her life on a completely different path. It was a path that began with her ignoring Andrea’s cries for help, taking the place of the doomed hitchhiker with the orange backpack, being recruited by Negan, presumably shooting Glenn and Heath, swinging Lucille on the other end of the infamous season 6 finale lineup of death, and then being killed by Daryl and Rick.

After getting through those nightmares and escaping Virgil’s cell, Michonne discovered Rick’s boots and another message, leading her to believe her husband may indeed be alive. With a little prodding from Judith, Michonne embarked on a quest up north to find Rick, but that quest was almost immediately interrupted by her decision to help a couple in need that left behind a large group on the move.

We spoke to showrunner Angela Kang to get her insight on Michonne’s wild ride, merging old and new footage, and putting our hero on the other side of the bat. She also revealed what that Japanese lettering stood for, gave clues as to whether that group at the end is the one that took Rick, and teased if there could at some point be a big reunion in the works. (Also make sure to read our goodbye interview with Gurira.)

ENTERTAINMENT WEEKLY: Tell me about the conversations between you and Danai about what you all wanted to accomplish with this last chapter from Michonne.

ANGELA KANG: I think as with exiting Andy as Rick, Michonne has been such a key part of the show. So we really wanted to give her a weighty farewell that was interesting and hopefully did some things that were new and yet had some bearing on her story as a whole. And obviously, [Walking Dead chief content officer] Scott Gimple and I were in contact about how this might tie into the larger universe. And we went about our process in the writers' room and Danai — who is herself a writer, and an amazing one — and I talked. And I think really for her, what was important was just the feeling that Michonne is strong and that there's this connection to her children, which we were on the same page about. So we went from there.

How did you go about figuring out the past moments from the show that you wanted to reincorporate and reimagine into Michonne’s tripped-out dream?

I think my writer, Vivian Tse, did an amazing job writing the sequence, and the writers' room talked about: What are key moments from Michonne's past that have shaped her worldview? And we've seen that in recent seasons that she became really hardcore about locking down Alexandria to the outside world. And over time, because the Whisperer threat kind of softened some of that, she's in a particular place in her end run on the show. And so we were talking about this idea of mercy, which was such an important concept for Siddiq and for Rick.

We've seen that Michonne herself can also be merciful, but she's not in that kind of mental space. And so we just wondered what happens when that idea is challenged, and when the idea of mercy is challenged in a way that's with somebody who's complicated, and what are the decisions that people make that lead them to a place where they think that mercy might not be the best path?

So we looked at these moments in the show where depending on a decision going one way or another, or circumstances going one way or another, it could just take you down a completely different life path, and how quickly one key decision can really change your life. And so we thought that it would be fun to do this kind of a story, sort of the parallel-universe version of Michonne's journey. And it's kind of like the decision making really turned on: Here are these moments that stood out as being a key part of the things that they did.

Let’s talk about a few of those. Obviously, it starts off the initial Andrea meetup scene. I assume that's in there because that's where it all started, and that's where Michonne, as we know, ultimately had to make that choice at the very end of season 2, and taking a look at what had happened if she had not made that choice. Tell me about that and tell me about the challenges of having to syncing up old material with the newly filmed material.

For us, the way she came into the show was by helping a stranger, Andrea. And Andrea is one of our beloved characters that we had at the time. But here comes this person with these two zombies on chains and she doesn't have to help her, she knows nothing about this woman, and she makes a choice to do so. And so that is what brings her ultimately into our group's orbit. And without making that choice, if she had made the choice to say, "I don't know this person. I'd rather not," the trajectory of her life would've been different. So we thought that that was a good place to start the story of what happens when all those decisions slide.

In terms of syncing up with older episodes, it was a really interesting and kind of fun process. I think our VFX team did really an amazing job, and our partners in the VFX space that work with us took a ton of planning. Production had to recreate certain situations to get new footage such as the lineup with Negan and Michonne. They basically recreated the RV behind them and Negan and Michonne and her kind of passing through.

But we had a lot of alternate footage for that scene that had been shot to try to prevent spoilers. So we used that, and obviously, there're scenes that appeared in the show in other scenarios, such as Glenn and Heath coming into the room. And we recreated the beds in the corners and put Laura there and put Michonne in there. So it was really this wonderful melding of production kind of recreating certain spaces, and then post taking old footage and very cleverly using CGI to kind of put old and new footage together. And I think everybody just did an amazing job because they always pulled together so well to face whatever challenges we kind of throw at them.

Yeah, it was seamless. And where does this idea come from in terms of making Michonne a Savior, and then having her hold Lucille and be on the other end of that? That's a pretty bold step.

Whenever we explore villains on our show, we try not to do it in this really arch villain way. I think every villain is the hero of their own story. In their minds, they are making decisions that are what are helping them and their people survive. And I think one of the most complex actions our people have taken is they attack the satellite station with the Saviors, without having met them in person, without them having crossed them in person. But you go off of the word of this new community, the Hilltop that they met, saying these are bad guys, which it turns out they are. But they went in and killed a bunch of people in their sleep. And from the Saviors’ point of view, that was an act of war.

And so depending on the perspective, its actions take a different light. We thought that it was interesting to explore that idea that in some ways the things that separate one group from the other, sometimes it's not as much as you think it might be. But there are obviously certain key ways that Negan was behaving that our people just really don't do. But our people had to do some pretty tough things in their time as well.

And if Michonne were to meet that group first, would her life have taken a different path? Maybe. They showed her mercy at a time when others didn't in our sort of parallel universe because we've certainly shown that our people, when their backs were up against a wall, there had been times when they were not exactly very forgiving or merciful to people they came across that were strangers. So it's all just part of our imaginations kind of playing what if, because it's kind of like Michonne's mind going, "What are the things that have been important, and how could I have gone a different path? Am I going down the right path?" I think Michonne is a person who has a lot of moral certainty, but she's certainly been pretty hardcore herself many, many times.

Danai mentioned that she had a pretty intense moment with Carl in that lineup scene that did not make the final cut. Was there anything else that changed or did not make it into the episode?

One thing that's interesting is that the person who was on the other end of the bat was not originally going to be Michonne herself. We went through a bunch of different iterations of things. And then at one point, we were like, "Well, what actually works best with the footage is Michonne." And I was like, "Oh, that's really interesting." Because really, this is all about her going, "Yeah, I want to kill fantasy Michonne here. This is not me in this weird fantasy." So that was one of the odd paths that we kind of discovered as we were going through it.

We see later that she discovers Rick's boots, which leads her on this new mission. And then she goes on and she finds the phone and there's the word Rick on it, and there are images of Michonne and Judith. There's also some lettering on that phone. Can you tell me what that lettering says?

This was from speaking with Scott Gimple and what are the things that we want to have leading Michonne into her next chapter of her story, hopefully. And I believe the Japanese says something like “Believe a little longer." So it was a message to Rick from somebody, somehow on this boat. By steering Virgil, it's sort of the universe rewarded her with finding these clues that Rick is indeed alive somewhere, or he was not too long ago.

And as we look at those last few minutes of the episode, clearly you guys were trying to go full-circle here. She has the hood back on, she creates the pets, and then there's a stranger in need and she has to make a choice. I mean, this is a 360-degree situation, isn't it?

Yeah, we still love the imagery of her coming into the show, which came straight out of the comics. And she's really not been in a place to have to walk with the dead. The Whisperers weirdly became a situation where so many of our people had to deal with people walking with the dead. But the idea of her taking this journey on her own for a little while because there's so much danger and she's so strong, it felt like that could justify her maybe temporarily kind of adopting this again. But ultimately, as she has in the past, she makes a choice to walk with people.

And so I think that really is true to Michonne's character. She was a person who was wandering alone, just grief-stricken, and everything good that has come into her life has been by way of connecting with other people and trying to help each other. So I think hopefully, that's a good message to go out on Michonne's story with because I think she has been a character who has touched so many of our other characters within our show, and their trajectories are forever affected by that.

So what can you tell us about this group marching off that she sees at the end? Is this the same three-rings group that took Rick in the helicopter?

More of a question for Scott Gimple. But I will say that as far as I know, this group is not part of that same group. They kind of have a whole different way of dress. They're dressed in animal skins. They're traveling in kind of this very organized caravan. Everything we know about the three-rings group is they've got people shuttling people about by helicopter up and down the coast. So yeah, we'll see what adventures await.

And I guess we have to assume at this point in time that Michonne is somewhere between Virginia and New Jersey?

Yeah, she started that journey kind of heading up north. So somewhere in between.

So does this also then tell us that Danai is going to be part of The Walking Dead movie with Andrew Lincoln?

Well, I really hope those two reunite is what I could say. I mean, it's sort of not my realm. But certainly, I think it's like we're promising some sort of new story ahead. It won't be on my show, unfortunately, but there is some sort of plan for a handoff happening here.

Obviously, we have a lot of other huge things going on in The Walking Dead universe that we sort of put on pause for a week. Negan's killed Alpha, delivered her head to Carol. What can you tell us about what's coming up next?

We really had fun putting together Negan and Carol. So we will come back and find out more about what exactly was going on between them. And we obviously left Beta. He has not yet found out yet that his Alpha is gone. And so we will be dealing with that, and there's some pretty important implications going forward. So I'm really excited for our fans to see this next episode.

https://ew.com/tv/the-walking-dead-s...-for-michonne/

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post #14346 of 14385 Old 03-24-2020, 05:04 AM
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Just a great episode. Loved all the flash backs. Leaves open the chance of her returning with Rick to the show one day . Hey it could happen. The previews of next week look good.
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Just a great episode. Loved all the flash backs. Leaves open the chance of her returning with Rick to the show one day . Hey it could happen. The previews of next week look good.
Curious, why did you love the flashbacks? What about seeing old footage made you love it?

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post #14348 of 14385 Old 03-24-2020, 07:23 AM
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The "Island of Weapons" turns out to be a bust .. Michonne comes full circle .. we are presented with what appeared to look like a Military Troop Formation ..

I'd expected Michonne to go out with a bang, not a whimper .. I'll miss her ..
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post #14349 of 14385 Old 03-24-2020, 08:06 AM
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Late 2021 or early 2022 is when that's coming out? Will there even be viewer interest at that point?

Yep! Right here.


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I'd expected Michonne to go out with a bang, not a whimper .. I'll miss her ..

Agree!


One question, was the Andrea flashback old footage, or was Laurie Holden actually back to do that?

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post #14350 of 14385 Old 03-24-2020, 08:12 AM
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One question, was the Andrea flashback old footage, or was Laurie Holden actually back to do that?
I believe all the fantasy flashbacks were old footage re-edited.
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post #14351 of 14385 Old 03-24-2020, 08:17 AM
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I believe all the fantasy flashbacks were old footage re-edited.
Yeah .. I don't think the cheapskates at AMC called back anyone ..

However, it was interesting to see some old faces, especially how beat down Rick looked at the Negan confrontation ..
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post #14352 of 14385 Old 03-24-2020, 10:17 AM
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I kind of enjoyed the episode. My DVR grabs episodes automatically and I try to watch within a day or two. If I had to stay up and watch it, I never would manage to.

I thought there was some decent suspense/tension mixed in at one point. I liked that Michonne had been duped by that guy. I enjoyed "the trip", especially the colorful bolts in the floor at the start, but I also enjoyed Michonne being a sort of "bad Michonne" throughout the trip part.

Was it amazingly great? No, but I think the last few episodes have been a step up in overall quality from how it had been going. Not a lot, but some. Good enough to keep me watching.

And, thank-you to WilliamR for posting those articles. I didn't have the patience to read all of both of them, but there were some interesting tidbits in them and I wouldn't have seen them otherwise. I think after so many years, I am easily bored with cast members telling me how wonderful everything was and how much it meant to them, though, hence my inability to read it all. But, I am glad they were posted.
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Walking Dead Season 10 Finale Delayed Due to Coronavirus Pandemic

“Current events have unfortunately made it impossible to complete post-production of The Walking Dead Season 10 finale,” an AMC rep tells TVLine in a statement. “So the current season will end with its 15th episode on April 5. The planned finale will appear as a special episode later in the year.”...

https://tvline.com/2020/03/24/walkin...d-coronavirus/
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post #14354 of 14385 Old 03-24-2020, 05:27 PM
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Walking Dead Season 10 Finale Delayed Due to Coronavirus Pandemic

“Current events have unfortunately made it impossible to complete post-production of The Walking Dead Season 10 finale,” an AMC rep tells TVLine in a statement. “So the current season will end with its 15th episode on April 5. The planned finale will appear as a special episode later in the year.”...

https://tvline.com/2020/03/24/walkin...d-coronavirus/

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post #14355 of 14385 Old 03-24-2020, 07:39 PM
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Originally Posted by TitusTroy View Post
Walking Dead Season 10 Finale Delayed Due to Coronavirus Pandemic

“Current events have unfortunately made it impossible to complete post-production of The Walking Dead Season 10 finale,” an AMC rep tells TVLine in a statement. “So the current season will end with its 15th episode on April 5. The planned finale will appear as a special episode later in the year.”...
I know.... maybe they could pad it out to 2 hours & release it as a theatrical movie!
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post #14356 of 14385 Old 03-25-2020, 04:21 AM
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Danai Gurira on Michonne and Judith - Talking Dead: Season 10, Episode 13

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post #14357 of 14385 Old 03-25-2020, 04:28 AM
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Watch Andrew Lincoln's cute Walking Dead farewell message for Danai Gurira

https://ew.com/tv/andrew-lincoln-wal...-danai-gurira/
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post #14358 of 14385 Old 03-28-2020, 09:07 AM
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TWD Moments YOU Can't Stop Watching - Fans Have Spoken

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post #14359 of 14385 Old 03-30-2020, 05:54 AM
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Past discretions aside, I think Neegan is far more enjoyable/entertaining on this show than Rick ever was. If he can forgoe his past ways, he would make a better leader too.
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post #14360 of 14385 Old 03-30-2020, 08:22 AM
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Neat trick how Alpha's head continued to make growling sounds despite having no lungs to push air through vocal chords.
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post #14361 of 14385 Old 03-30-2020, 08:43 AM
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Was there a new episode last night? If so, my DVR did not pick it up.
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post #14362 of 14385 Old 03-30-2020, 08:54 AM
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Was there a new episode last night? If so, my DVR did not pick it up.
Yup. Episode 10.14: "Look at the Flowers."

"Heroes and villains reckon with the aftermath of the Hilltop fire; Eugene takes a group on a journey to meet Stephanie, with the hopes of befriending another civilization."
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post #14363 of 14385 Old 03-30-2020, 09:18 AM
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Huh. My DTV Genie DVR didn't catch it. Could be because there is so much being recorded on Sunday nights in that time slot. Perhaps it overwhelmed the 5 tuners. But it should have warned me or something, I should think. Instead it just dropped the recording. Cheeky digital bastard.

I'll have to watch in On Demand. Which means I can't FF through the commercials. This makes me sad.
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post #14364 of 14385 Old 03-30-2020, 02:55 PM
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Quote:
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Neat trick how Alpha's head continued to make growling sounds despite having no lungs to push air through vocal chords.
They never breathe regardless if the head is attached. They're dead.
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post #14365 of 14385 Old 03-30-2020, 04:32 PM
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I believe we all hated Alpha, and finally Negan killed her. Now we're seeing more of her than ever. I say we ditch the bitch.
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post #14366 of 14385 Old 03-31-2020, 05:08 AM
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st discretions aside, I think Neegan is far more enjoyable/entertaining on this show than Rick ever was. If he can forgoe his past ways, he would make a better leader to



I like Negan allot but Rick Grimes made the show from the begging . Plus his faults made him real, Thats why the show was the no 1 show for years.
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post #14367 of 14385 Old 03-31-2020, 06:21 AM
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Quote:
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I believe we all hated Alpha, and finally Negan killed her. Now we're seeing more of her than ever. I say we ditch the bitch.
Boy do I ever agree! I was so damn sick of Alpha, I cant stand seeing her "appear" in scenes now, it was so nice to be rid of her. I will say I enjoy when she was just a head being carried around though.

As to Negan, he is a great character on the show, I would love the show to focus on him now.

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post #14368 of 14385 Old 03-31-2020, 07:39 AM
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Quote:
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They never breathe regardless if the head is attached. They're dead.
How do they make growling noises?

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post #14369 of 14385 Old 03-31-2020, 07:40 AM
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"Beta's Greatest Hits" is apparently popular with the Walker crowd ..

The prop team did a pretty good job with the "Head of Alpha" .. in fact, I thought the head was more attractive than Alpha when she was human ..

I have to reluctantly admit that Negan beats Daryl in the charismatic lead role .. although I'd still prefer Rick over either ..
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post #14370 of 14385 Old 03-31-2020, 07:41 AM
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Quote:
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How do they make growling noises?
Sheer determination to be heard ..

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