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Much of the brain trust will say a JVC is best but unless you move up to to the NZ7, the NP5 will need to be run in high lamp.I can mount the PJ pretty much anywhere... I don't know if I want to mess with bulb replacements unless that is still the way to go for PQ.
Looking at the Silver Ticket STR-169150-WAB at ~$700 for the screen so far.
The Epson does NOT dynamically tone map, but there are multiple threads on this forum about using a HD Fury Vertex2 with the LS12k, which will enable the Epson to dynamically tone map and essentially render Dolby Vision.Looks like the LS12000 does Dynamic Tone Mapping also(?)
Thanks. I have some learning to do on this...The Epson does NOT dynamically tone map, but there are multiple threads on this forum about using a HD Fury Vertex2 with the LS12k, which will enable the Epson to dynamically tone map and essentially render Dolby Vision.
It won’t have nearly as good of contrast as the LS 12,000 because it’s a DLPHow does BenQ HDR-Pro enable PJ's fit into this?
Silver Ticket WVS is supposed to be better than WAB I think, if you are into acoustic screen. Pricing is roughly the same.I can mount the PJ pretty much anywhere... I don't know if I want to mess with bulb replacements unless that is still the way to go for PQ.
Looking at the Silver Ticket STR-169150-WAB at ~$700 for the screen so far.
Direct me to a vendor?Silver Ticket WVS is supposed to be better than WAB I think, if you are into acoustic screen. Pricing is roughly the same.
Pair either one with LS12000 and don't look back. You can get "street pricing" (and not MSRP) from one of the forum vendors here.
PMed you.Direct me to a vendor?
It's not better. It's different. They each have their tradeoffs. See comparison thread here:Silver Ticket WVS is supposed to be better than WAB I think, if you are into acoustic screen. Pricing is roughly the same.