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Discussion Starter · #1 ·
Hi Folks,

Do majority of you set auto iris to auto or leave it off

on a sony hs60 projector?


Is auto iris just a gimmick to raise contrast ratio and result in

loss of shadow details and highlight clipping?


Any inputs from sony projector owners appreciated.


Thanks
 

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a dynamic iris is not just a gimmick, and can do some very good things with images if implemented well. However, there is no free lunch, and does inevitably come with some side-effects of brightness compression, etc as the dynamic gamma circuits work. Whether you feel that tradeoff is good or not is up to you.
 

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Discussion Starter · #3 ·
Hi Chris,

Thanks, does that mean the dynamic gamma circuits varies the

projector gamma throughout the movie?


For eg: if i calibrate the display for a gamma of 2.2, there is no guarantee the

gamma will stay at 2.2 if the dynamic iris is turned on?


So in essence the gamma may keep varying between say 2.0 to 2.5 throught

a movie clip based on the picture characteristics?


Thanks
 

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Greetings


There's nothing like clipping detail for the sake of fooling the eyes into thinking the performance is better than it is.
Even worse when your eyes can see it happening in real time.


regards
 

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Discussion Starter · #5 ·
Hi Michael,

If I understand your statement right, you definitely loose details in the picture for the perceived effect of more contrast?


So in essence turn the auto irs control to off and calibrate to a gamma of 2.2

and leave it at that, never turning auto iris on?


Why do the manufacturers even offer such a control when it makes the picture

worse?


Thanks
 

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Greetings


For the projectors where the technology is lacking and blacks are not as good as we'd like. It's all a compromise.


I'd like it more if it would not mess with the brightness and the contrast and the gamma too. Just open and close down an iris and nothing more. But they don't do just that ...


Regards
 

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Quote:
Originally Posted by Michael TLV /forum/post/16863114


Greetings


For the projectors where the technology is lacking and blacks are not as good as we'd like. It's all a compromise.


I'd like it more if it would not mess with the brightness and the contrast and the gamma too. Just open and close down an iris and nothing more. But they don't do just that ...


Regards

The reason they don't just do that is because they can get more performance out of the iris.


Say you have a scene where the brightest object is 80% grey and the projector's maximum light output with the iris disabled is 100cd/m².


So with the iris disabled, that brightest object is going to be displayed at 60cd/m² with a gamma of 2.22.


If you simply close the iris (say 20% as the brightest object is 80% grey) you're going to be lowering the black level 20% but also dimming the brightest object in the scene by 20% so it is now 48cd/m².



Rather than simply closing the iris, if you redistribute the values so that 80% grey is now at 100%, you can close the iris 40%. This keeps the brightest object in the scene at 60cd/m², the same as when the iris was disabled, but your black level will have dropped 40%.


 80% GreyBlack LevelContrast Ratio
Iris Off60cd/m²0.1cd/m²600:1
Iris Dimmed48cd/m²0.08cd/m²600:1
Iris Processed60cd/m²0.06cd/m²1000:1

So with an iris that simply opens/closes, all you are getting is a better black level at the expense of brightness.


With an iris that is also compensated by image processing, you can actually improve the contrast ratio of displayed images. The amount of improvement varies, but in theory you could show any image on the projector at its maximum contrast ratio. (in reality though, there is a limit to what you will be able to do before things start to posterise or the effect is distracting)


With an iris that works in this way, not only are you improving the scene contrast, but you are also improving the projector's dynamic range, which now becomes maximum brightness with no iris ÷ minimum black level with iris fully closed.


This approach doesn't require any shadow/highlight clipping and would provide a real improvement in contrast to images.


Of course, many dynamic iris implementations do also clip highlights/shadows somewhat to improve contrast of a scene further at the expense of image quality.



Personally, I expected to hate the dynamic iris of my Sony HW10I had only planned on using the manual iris settings to reach the light level I wanted, but in practise, the iris is very transparent, and I haven't really seen much in the way of drawbacks at all.


There are two settings on my HW10auto iris 1 and 2. (each with three speed settings) I believe Auto 1 is using the method I described above, and Auto 2 stretches the contrast of the scene slightly clipping shadows/highlights to maximise image contrast.
 

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Discussion Starter · #8 ·
Hi Andrew,

Thanks for the clear explanations. Makes perfect sense.

The only issue would be in the ire extremes, say a dim scene with a bright red shirt

or a white sky with some black birds.


The algorithm that determines the maximum brightness / minimum brightness would

not be able to correctly work because the majority of the picture would be dark/bright

respectively. So you would see some brightness compression.


So basically if you turn auto iris on, they is no point calibrating for a custom gamma curve? I realize the hs60 does not provide a custom gamma curve, but using a radiance

with the 11 step gamma would be useless?


I have a piano 3100 and it offers a incredible 31 step gamma correction leading to

a perfect gamma curve with a ruler flat greyscale.


Unfortunately i plan to move the theater to the basement and I need some extra

brightness and lens shift capabilities and so brought the sony hs60. So I basically

calibrate for greyscale, choose a custom gamma curve and turn auto iris on for

the best picture?


I hope i see some improvement over the piano which provides a great picture.
 

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Quote:
Originally Posted by gauras /forum/post/16862707


Why do the manufacturers even offer such a control when it makes the picture worse?

Andrew pretty much explained it, but just wanted to add that Greg Rogers (a very respected reviewer) has talked about Sony's dynamic iris implementations in reviews he has done for Widescreen Review. He was annoyed by brightness compression with an early implementation on a projector a few years ago (maybe the VW100), but what I recall for the most recent Sony review I've seen from him (the VW50 or VW60 I think) was that Sony's implementation had gotten so good that he didn't imagine anybody turning the feature off. Or something to that effect.


While dynamic irises are going to have some side effects I think that most people running projectors with them enabled (when they have good implementations) shows how important on/off CR is to how images look to people. Getting the high on/off CR without a DI would be great, but even with the trade-off of a DI my impression is that most people prefer to run with them enabled. And if they don't it is generally because they see the benefit of the higher on/off CR, but are too annoyed by the artifacts of the particular implementation, or that they don't enable them only because they have a philosophical problem with manipulating the images in that way.


--Darin
 

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Quote:
Originally Posted by gauras /forum/post/16865107


Hi Andrew,

Thanks for the clear explanations. Makes perfect sense.

The only issue would be in the ire extremes, say a dim scene with a bright red shirt

or a white sky with some black birds.


The algorithm that determines the maximum brightness / minimum brightness would

not be able to correctly work because the majority of the picture would be dark/bright

respectively. So you would see some brightness compression.


So basically if you turn auto iris on, they is no point calibrating for a custom gamma curve? I realize the hs60 does not provide a custom gamma curve, but using a radiance

with the 11 step gamma would be useless?


I have a piano 3100 and it offers a incredible 31 step gamma correction leading to

a perfect gamma curve with a ruler flat greyscale.


Unfortunately i plan to move the theater to the basement and I need some extra

brightness and lens shift capabilities and so brought the sony hs60. So I basically

calibrate for greyscale, choose a custom gamma curve and turn auto iris on for

the best picture?


I hope i see some improvement over the piano which provides a great picture.

When you start talking about specific iris implementations it gets complicated, as there are a lot of different ways to do it, and even different models of projector from the same manufacturer can have different implementations.


In theory, even if you had a scene with a very bright object on a mostly dark background, you could still use a dynamic iris to improve the contrast without any problems. (as long as the darkest object wasn't completely black, or the brightest, completely white)


The improvement to contrast might only be very minor in that situation though, which is why most projectors at least have one mode of the iris that will clip highlights/shadows somewhat to further improve perceived image contrast.


As with everything, it is a compromise.


If you want to guarantee that you'll never have any problems with brightness compression, introducing artefacts or shadow/highlight clipping, you don't use an iris.


Even if you had an iris that only opens/closes without redistributing the image brightness to compensate and improve contrast, you risk it "guessing" wrong and dimming the picture too much or making it too bright for other scenes. (without any real improvement to contrastjust brightness changes)


With some of the better iris implementations, the iris is getting to be a very transparent process now. The algorithms used are a lot more refined and they tend to avoid any distracting artefacts or "wrong guesses."


The only time I've really had an issue with my HW10 has been with white text in the middle of the screen on a full black background, or a space shot where the only bright objects are the pinpoints of light from stars. In these scenarios, the HW10 dims the image more than I would prefer.


I can't say that I've ever really noticed any brightness compression or shadow/highlight clipping, and I'd say that at least 99% of what I've displayed on my projector for the 500+ hours that I've used it has been improved by having the dynamic iris on.



I also wouldn't say there's no point in calibrating gamma, I would calibrate the projector with the dynamic iris disabled, and then turn it on afterwards. You may not be getting a perfect 2.22 (or whatever your target is) if the image is being processed to improve the contrast with the iris, but I certainly saw an improvement vs leaving the HW10 at its default gamma setting.



At the end of the day, you'll have to experiment and see whether or not the iris implementation on your projector is done well, or even if it does have some drawbacks, if the advantages outweigh the disadvantages.


As I said, I feel that the vast majority of images on my HW10 have been improved with the dynamic iris, without any real drawbacks. I can live with 1% of images potentially looking worse if 99% are improved. (or left alone if they can't be changed without it being intrusive)




I do think it's a mistake to not even try using the iris on a projector you own, simply because you don't like the idea of it changing the picture to improve contrast, or because you didn't like another manufacturer's implementation. (or an older one from the same manufacturer)


There was at least one review of the HW10 I remember reading before buying mine where the reviewer refused to use the dynamic iris, simply because they didn't like the idea of it, without actually trying it and seeing how good (in my opinion) Sony's implementation is these days. Had they used it, I think they would have been a lot more impressed with it.
 

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Quote:
Originally Posted by gauras /forum/post/16862065


Hi Chris,

Thanks, does that mean the dynamic gamma circuits varies the

projector gamma throughout the movie?


For eg: if i calibrate the display for a gamma of 2.2, there is no guarantee the

gamma will stay at 2.2 if the dynamic iris is turned on?


So in essence the gamma may keep varying between say 2.0 to 2.5 throught

a movie clip based on the picture characteristics?


Thanks

It's more complicated than that, and it varies a lot more than that most likely. The auto-iris can't just make the image dimmer or brighter, because it would look really cheesy. It has to try to keep things that are in the middle at the same level. This would be way way easier to explain in person, but if you have a scene that is say 50% to 100%, the iris would open up all the way. The dimmest thingi n the image would be half gray. But now with the iris opened up, it would make that 50% essentially way lower than that. Then the iris closes down, and you have a scene that's all 0% to 50%. It would make that 50% way brighter relatively in the scale. So the two 50% stimuli would be much closer to each other in iris open and iris closed position, but to do that they have to move them around a bunch within the effective range of the display.


Just opening and closing the iris doesn't accomplish what you want to do, hence the dynamic gamma, which compresses things up top when the iris closes down, and you can lose some of the punch. Done badly, it can be objectionable. Done well, and with enough on/off CR to start with, it can look quite impressive. Not the same as having the full native on/off CR, but even the purest that I am, I am not inherently against it for viewing. I would be more against it for content production/mastering though, because you kind of need to see exactly what you're seeing, and not a bunch of other stuff happening. But the point of a good DI is that you don't really see everything that's going on.


I think it gets a bad rap from purists, which is understandable, but isn't quite fair IMO. That doesn't mean though, that some people certainly would want to turn it off.


It's kind of like dynamic LED backlighting. The knee-jerk reaction is to turn it off, and there are a lot of good reasons to, but done properly, it can be exceptional and give you a more accurate image. It's that 'done properly' caveat that is the hang-up in many, but not all cases.
 
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