Quote:
Originally Posted by smokarz /forum/post/20817391
awesome, looking forward to the build.
can you do me a favor and measure the length from back to front with the apt-50 mounted?
i am hoping to build a box with an 8" internal depth. thanks
Quote:
Originally Posted by coctostan /forum/post/20817625
Are you using stock Eminence crossovers? I'd be interested in seeing measurements if you have the ability. Assuming the xover's do a good job, this could be a nice budget setup.
Quote:
Originally Posted by CZ Eddie /forum/post/20817858
I would use the Selenium D220ti over the APT-50 compression driver. It's $40 more for the pair but probably worth it if within budget. Plus, there is already a crossover designed for the Eminence 10" coaxial & D220ti combo that would probably work well with the 8" coaxial as well.
Quote:
Originally Posted by Scott Simonian /forum/post/20817875
Ahh.. not a bad idea. Are the threads the same size for the Selenium? Could it be used in the coaxial configuration or would one have to use a horn with it too? Part of the appeal was the compactness of it being coax and not 'needing' a horn.
Got a link to that particular crossover, CZ? That would be helpful.![]()
Quote:
Originally Posted by beastaudio /forum/post/0
Yep, I will definitely run some sweeps with a pair in stereol
Quote:
Originally Posted by smokarz /forum/post/20818109
i'll be interested in this d220ti combo as well.
my current mains have the d220ti crossed at 1.2khz
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Originally Posted by tuxedocivic /forum/post/20818187
can you run them not in stereo away from all boundaries and gated? That would offer a better idea of FR.
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Originally Posted by mayhem13 /forum/post/20818483
It was Zilch who did the 220i/Coax XO for a guy doing some type of art show and they tried both the APT and 220i, Here's the thread and there's a LOT of good info in it.
http://www.diyaudio.com/forums/multi...r-cabinet.html
In the end, while the builder/user was happy, the designer wasn't overly 'thrilled' with the performance for music BUT for surround duty, i think it's and EXCELLENT option. Good luck with the design and if done properly could be staple for matching to high efficiency mains in a X.1 system. I would think that a slanted baffle, high wall ceiling mount would be a good option. The eminence coax driver isn't nearly as efficient as the CD and will need as much help in the LF department without loosing efficiency to BSC so proper integration/mounting is key. Now it's also important to remember what 'plagues' the performance of a coax is the mating of the CD to the waveguide that in this case is the cone itself. In order to achieve bass extension, the cone is going to have to move air and the more the cone moves, the worse the diffraction artifacts from the CD to the cone. Damned if you do and Damned if you don't so be mindfull of how much bass you expect outta these. Might be best to even add a midbass/subwoofer somewhere to relieve the Coax's of sub 100hz content all together.
Quote:
Originally Posted by beastaudio /forum/post/20818768
Id love to figure out a good (better) way to mate the CD to the driver so that as excursion of the woofer increases, there is a better way to quell the diffraction. not sure how i would accomplish this without separating the compenents but ill put my mind to it. Just thinking, if you had a decent distance between the CD and the woofer to allow a stagnant surface, the performance would likely only be detrimental at the outskirts of the CD's usable dispersion. wow, i just blacked out from all that technical talk!
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Quote:
Originally Posted by penngray /forum/post/20818770
You would be pretty much back to Danley type designs where you attach both the CD and the woofers to a single horn.