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Calibration of Wide-Color Gamut

4324 Views 30 Replies 6 Participants Last post by  fafrd
I have never used a colorimeter for calibration, but am considering dipping my toe in to trying anticipating the new TV I will be buying late this year.


I am hoping to pick up one of the new wide-color-gamut TVs from either Vizio (Reference) or Sony (X950B).


So my question is, in terms of both colorimeters and software such as HCFR, will either/both of these work for calibration of these wide-color-gamut displays?


And if not, will I need to wait for new colorimeters to come out, for updated software to be available, or both?


thanks,


-fafrd
1 - 20 of 31 Posts

Quote:
Originally Posted by fafrd  /t/1519256/calibration-of-wide-color-gamut#post_24394131


I have never used a colorimeter for calibration, but am considering dipping my toe in to trying anticipating the new TV I will be buying late this year.


I am hoping to pick up one of the new wide-color-gamut TVs from either Vizio (Reference) or Sony (X950B).


So my question is, in terms of both colorimeters and software such as HCFR, will either/both of these work for calibration of these wide-color-gamut displays?


And if not, will I need to wait for new colorimeters to come out, for updated software to be available, or both?


thanks,


-fafrd

Hello, why you need a wide-gamut display? What will be the use of this display? Photography? Movie Playback?

Quote:
Originally Posted by ConnecTEDDD  /t/1519256/calibration-of-wide-color-gamut#post_24394558

Quote:
Originally Posted by fafrd  /t/1519256/calibration-of-wide-color-gamut#post_24394131


I have never used a colorimeter for calibration, but am considering dipping my toe in to trying anticipating the new TV I will be buying late this year.


I am hoping to pick up one of the new wide-color-gamut TVs from either Vizio (Reference) or Sony (X950B).


So my question is, in terms of both colorimeters and software such as HCFR, will either/both of these work for calibration of these wide-color-gamut displays?


And if not, will I need to wait for new colorimeters to come out, for updated software to be available, or both?


thanks,


-fafrd

Hello, why you need a wide-gamut display? What will be the use of this display? Photography? Movie Playback?

Dolby HDR (hopefully) - so Movie Playback. I just want to understand before I invest in a colorimeter whether these wider rec.2020-like color gamuts are going to obsolete everything that is out there or not.


Both Vizio Reference and Sony 950B are promoting wide color gamut and increased dynamic range...


-fafrd

Quote:
Originally Posted by fafrd  /t/1519256/calibration-of-wide-color-gamut#post_24394707

Quote:
Originally Posted by ConnecTEDDD  /t/1519256/calibration-of-wide-color-gamut#post_24394558

Quote:
Originally Posted by fafrd  /t/1519256/calibration-of-wide-color-gamut#post_24394131


I have never used a colorimeter for calibration, but am considering dipping my toe in to trying anticipating the new TV I will be buying late this year.


I am hoping to pick up one of the new wide-color-gamut TVs from either Vizio (Reference) or Sony (X950B).


So my question is, in terms of both colorimeters and software such as HCFR, will either/both of these work for calibration of these wide-color-gamut displays?


And if not, will I need to wait for new colorimeters to come out, for updated software to be available, or both?


thanks,


-fafrd

Hello, why you need a wide-gamut display? What will be the use of this display? Photography? Movie Playback?

Dolby HDR (hopefully) - so Movie Playback. I just want to understand before I invest in a colorimeter whether these wider rec.2020-like color gamuts are going to obsolete everything that is out there or not.


Both Vizio Reference and Sony 950B are promoting wide color gamut and increased dynamic range...


-fafrd

REC 2020 is a lot of larger vs. DCI P3, and the only monitor right now at large inch that can accurately have 100% coverage of DCI P3 is the Dolby ~55.000$.


There's not any display right now in our world to any price range that can cover the 100% REC 2020 colorspace, so you have not to worry about that problem, Sony and Visio will be measured when they will be released and we will see how large will be their gamuts.


Also there is no content since there not available any type of projector or display to be used to master REC2020.


BTW you can read here a good example of companie promising specs measured by reference meters to see the reality.
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Quote:
Originally Posted by ConnecTEDDD  /t/1519256/calibration-of-wide-color-gamut#post_24395011


REC 2020 is a lot of larger vs. DCI P3, and the only monitor right now at large inch that can accurately have 100% coverage of DCI P3 is the Dolby ~55.000$.


There's not any display right now in our world to any price range that can cover the 100% REC 2020 colorspace, so you have not to worry about that problem, Sony and Visio will be measured when they will be released and we will see how large will be their gamuts.


Also there is no content since there not available any type of projector or display to be used to master REC2020.


BTW you can read here a good example of companie promising specs measured by reference meters to see the reality.

I understand that rec.2020 is much larger than rec.709. The Vizio Reference and Sony 950B both claim to cover a wide color gamut of 'about 80%' of rec.2020. Had not heard of DCI P3 before but it seems to be the standard color space used for digital projection in movie theaters, is that right?


And I understand that HDR content will not be available for some time.


So I guess what I am asking is whether it is worth using the existing DIY calibration solutions (using Colormunki Display or i1Display Pro and HCFR) for one of these future 'wide color gamut' displays or whether that would be worthless and I should hold off to see new calibration solutions emerge for these developing standards...


Between rec.709, whatever wide color gamut the Vizio Reference Series will have, whatever wide color gamut the Sony 950B will have, and DCI P3, I'm interested in any suggestions for what would be the recommended way to calibrate either of these 'HDR' wide-color-gamut panels and/or how those calibration solutions are expected to evolve.


-fafrd
See less See more

Quote:
Originally Posted by fafrd  /t/1519256/calibration-of-wide-color-gamut#post_24395371

Quote:
Originally Posted by ConnecTEDDD  /t/1519256/calibration-of-wide-color-gamut#post_24395011


REC 2020 is a lot of larger vs. DCI P3, and the only monitor right now at large inch that can accurately have 100% coverage of DCI P3 is the Dolby ~55.000$.


There's not any display right now in our world to any price range that can cover the 100% REC 2020 colorspace, so you have not to worry about that problem, Sony and Visio will be measured when they will be released and we will see how large will be their gamuts.


Also there is no content since there not available any type of projector or display to be used to master REC2020.


BTW you can read here a good example of companie promising specs measured by reference meters to see the reality.

I understand that rec.2020 is much larger than rec.709. The Vizio Reference and Sony 950B both claim to cover a wide color gamut of 'about 80%' of rec.2020. Had not heard of DCI P3 before but it seems to be the standard color space used for digital projection in movie theaters, is that right?


And I understand that HDR content will not be available for some time.


So I guess what I am asking is whether it is worth using the existing DIY calibration solutions (using Colormunki Display or i1Display Pro and HCFR) for one of these future 'wide color gamut' displays or whether that would be worthless and I should hold off to see new calibration solutions emerge for these developing standards...


Between rec.709, whatever wide color gamut the Vizio Reference Series will have, whatever wide color gamut the Sony 950B will have, and DCI P3, I'm interested in any suggestions for what would be the recommended way to calibrate either of these 'HDR' wide-color-gamut panels and/or how those calibration solutions are expected to evolve.


-fafrd

I see now why you are referring to DCI P3, rather than rec.2020. This link shows the Panasonic AX800U color space which they specify to be ''DCI 98%' : http://www.reduser.net/forum/showthread.php?110776-Panasonic-TC-58AX800U-and-TC-65AX800U-4k-UHD-with-98-DCI


There is speculation that the 65" PanasonicTC-65AX800Uwith 'DCI 98%' , the 65" Toshiba Radiance L9400U with 'Super Wide Color Gamut', and the 65" Vizio Reference Series with 'Ultra Color Spectrum' are all actually based on the same panel (which would presumably mean that the 'wide-color-gamut' they support is the same).


So it looks like these wide color gamut displays (probably also including the Sony 950B) are aiming to get as close to DCI P3 as they can (and not close to rec.2020).


So from your above answer, it sounds like there will be professional calibrators out there that can calibrate to DCI P3, correct?


-fafrd
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So the width of color gamut makes displays so much more expensive? How will we ever get affordable OLED 4K TVs then?

 

I was also wondering... how is it that our sRGB/Rec709 monitors/TVs able to reproduce CIE chart colors gamut beyond the actual triangle standard? Are we just seeing incorrect fake colors? Not even 3DLUTs can go beyond the available colorspace.

Quote:
Originally Posted by fafrd  /t/1519256/calibration-of-wide-color-gamut#post_24395676


So it looks like these wide color gamut displays (probably also including the Sony 950B) are aiming to get as close to DCI P3 as they can (and not close to rec.2020).


So from your above answer, it sounds like there will be professional calibrators out there that can calibrate to DCI P3, correct?


-fafrd

DCI P3 is used only at grading of films for theatical release. There is not any advantage to get a wide gamut for Movie Playback at home.

Quote:
Originally Posted by ConnecTEDDD  /t/1519256/calibration-of-wide-color-gamut#post_24396572

Quote:
Originally Posted by fafrd  /t/1519256/calibration-of-wide-color-gamut#post_24395676


So it looks like these wide color gamut displays (probably also including the Sony 950B) are aiming to get as close to DCI P3 as they can (and not close to rec.2020).


So from your above answer, it sounds like there will be professional calibrators out there that can calibrate to DCI P3, correct?


-fafrd

DCI P3 is used only at grading of films for theatical release. There is not any advantage to get a wide gamut for Movie Playback at home.

Won't that change as HDR content such s Dolby Vision becomes available?


-fafrd

Quote:
Originally Posted by fafrd  /t/1519256/calibration-of-wide-color-gamut#post_24397932

Quote:
Originally Posted by ConnecTEDDD  /t/1519256/calibration-of-wide-color-gamut#post_24396572

Quote:
Originally Posted by fafrd  /t/1519256/calibration-of-wide-color-gamut#post_24395676


So it looks like these wide color gamut displays (probably also including the Sony 950B) are aiming to get as close to DCI P3 as they can (and not close to rec.2020).


So from your above answer, it sounds like there will be professional calibrators out there that can calibrate to DCI P3, correct?


-fafrd

DCI P3 is used only at grading of films for theatical release. There is not any advantage to get a wide gamut for Movie Playback at home.

Won't that change as HDR content such s Dolby Vision becomes available?


-fafrd

Our childen will be able to see Dolby Vision with 10.000 cd/m2 displays at home. We are talking for the far future.


The whole industry have to change, the whole studios gear, it's not only the displays to be released.


For example Sony demostrated the first OLED @ CES 2007, Samsung @ CES 2008, now we have 2014 and the OLED you can buy have ABL problems ,burn it, fast aging , short life and motion resolution 300 lines...and are very expensive...... how many years more they needed?

First Priority in industry is the change of the standard Color Matching Function from the CIE 1931 2 degrees (that is coming from CRT world / year 1931 experiments) to something newer, to make all different display technologies be measured and calibrated the same!....and later any other change.... in resolution, bit-depth, colorspace.....
See less See more

Quote:
Originally Posted by ConnecTEDDD  /t/1519256/calibration-of-wide-color-gamut#post_24398001

Quote:
Originally Posted by fafrd  /t/1519256/calibration-of-wide-color-gamut#post_24397932

Quote:
Originally Posted by ConnecTEDDD  /t/1519256/calibration-of-wide-color-gamut#post_24396572

Quote:
Originally Posted by fafrd  /t/1519256/calibration-of-wide-color-gamut#post_24395676


So it looks like these wide color gamut displays (probably also including the Sony 950B) are aiming to get as close to DCI P3 as they can (and not close to rec.2020).


So from your above answer, it sounds like there will be professional calibrators out there that can calibrate to DCI P3, correct?


-fafrd

DCI P3 is used only at grading of films for theatical release. There is not any advantage to get a wide gamut for Movie Playback at home.

Won't that change as HDR content such s Dolby Vision becomes available?


-fafrd

Our childen will be able to see Dolby Vision with 10.000 cd/m2 displays at home. We are talking for the far future.


The whole industry have to change, the whole studios gear, it's not only the displays to be released.


For example Sony demostrated the frist OLED @ CES 2007, Samsung @ 2008, now we have 2014 and the OLED you can buy have ABL problems ,burn it, off-axis problem, fast aging and motion resolution 300 lines...and are very expensive...... how many years more they needed?


First Priority in industry is the change of the standard Color Matching Factor from the CIE 1931 2 degrees (that is coming from CRT world) to something newer, to make all different display technologies be measured and calibrated the same!....and later any other change.... in resolution, bit-depth, colorspace.....

So do you see any value to having one of these wide-color-gamut / 80% rec.2020 / 98% DCI / X-Tended Dynamic Range Pro (Sony) TVs over the next 5 years or so?? Beyond OLED, it seems that there is an initiative this year to get LED/LCD TVs supporting higher dynamic range with an extended color gamut out with the idea that the new standards emerging for 4K will provide an opportunity to get some support for HDR standardized at the same time.


Appreciate your thoughts on the initiative for 4K standards and what this might represent in terms of support for new color standards beyond rec.709...


-fafrd

Quote:
Originally Posted by fafrd  /t/1519256/calibration-of-wide-color-gamut#post_24398028


So do you see any value to having one of these wide-color-gamut / 80% rec.2020 / 98% DCI / X-Tended Dynamic Range Pro (Sony) TVs over the next 5 years or so?? Beyond OLED, it seems that there is an initiative this year to get LED/LCD TVs supporting higher dynamic range with an extended color gamut out with the idea that the new standards emerging for 4K will provide an opportunity to get some support for HDR standardized at the same time.


Appreciate your thoughts on the initiative for 4K standards and what this might represent in terms of support for new color standards beyond rec.709...


-fafrd

X-Tended Dynamic Range and other marketing words means that they will try to reach the dynamic range that Plasma had (minimizing clouding & halo effect).... So this means Full Array LED Backlighting.... If companies move from Edge LED to full Array of White or RGB LED's to their expensive models, the picture will be improved.

Quote:
Originally Posted by ConnecTEDDD  /t/1519256/calibration-of-wide-color-gamut#post_24398074

Quote:
Originally Posted by fafrd  /t/1519256/calibration-of-wide-color-gamut#post_24398028


So do you see any value to having one of these wide-color-gamut / 80% rec.2020 / 98% DCI / X-Tended Dynamic Range Pro (Sony) TVs over the next 5 years or so?? Beyond OLED, it seems that there is an initiative this year to get LED/LCD TVs supporting higher dynamic range with an extended color gamut out with the idea that the new standards emerging for 4K will provide an opportunity to get some support for HDR standardized at the same time.


Appreciate your thoughts on the initiative for 4K standards and what this might represent in terms of support for new color standards beyond rec.709...


-fafrd

X-Tended Dynamic Range and other marketing words means that they will try to reach the dynamic range that Plasma had (minimizing clouding & halo effect).... So this means Full Array LED Backlighting.... If companies move from Edge LED to full Array of White or RGB LED's to their expensive models, the picture will be improved.

This CNET article makes several references to a wider color gamut than rec.709 being a key component of Dolby Vision technology: http://reviews.cnet.com/8301-33199_7-57616081-221/behind-the-scenes-with-dolbys-new-hdr-tv-tech/


Here is an excerpt: 'While the company didn't go into too much detail, it explained that its idea for this higher dynamic range, wider color gamut image, would be backward-compatible. As in, its 12-bit signal could be "mapped down," essentially downconverted, to work on 8-bit devices. This would certainly ease the transition. '


So I understand about increasing dynamic range to match Plasma levels, but it seems like an effort to increase the color gamut beyond rec.709 is a part of the initiative as well...


Somewhere I read that these issues are all being discussed within the context of defining the new Blueray 4K standard which is expected to be finalized before year-end.


Thoughts?




-fafrd
See less See more

Quote:
Originally Posted by fafrd  /t/1519256/calibration-of-wide-color-gamut#post_24398220

Quote:
Originally Posted by ConnecTEDDD  /t/1519256/calibration-of-wide-color-gamut#post_24398074

Quote:
Originally Posted by fafrd  /t/1519256/calibration-of-wide-color-gamut#post_24398028


So do you see any value to having one of these wide-color-gamut / 80% rec.2020 / 98% DCI / X-Tended Dynamic Range Pro (Sony) TVs over the next 5 years or so?? Beyond OLED, it seems that there is an initiative this year to get LED/LCD TVs supporting higher dynamic range with an extended color gamut out with the idea that the new standards emerging for 4K will provide an opportunity to get some support for HDR standardized at the same time.


Appreciate your thoughts on the initiative for 4K standards and what this might represent in terms of support for new color standards beyond rec.709...


-fafrd

X-Tended Dynamic Range and other marketing words means that they will try to reach the dynamic range that Plasma had (minimizing clouding & halo effect).... So this means Full Array LED Backlighting.... If companies move from Edge LED to full Array of White or RGB LED's to their expensive models, the picture will be improved.

This CNET article makes several references to a wider color gamut than rec.709 being a key component of Dolby Vision technology: http://reviews.cnet.com/8301-33199_7-57616081-221/behind-the-scenes-with-dolbys-new-hdr-tv-tech/


Here is an excerpt: 'While the company didn't go into too much detail, it explained that its idea for this higher dynamic range, wider color gamut image, would be backward-compatible. As in, its 12-bit signal could be "mapped down," essentially downconverted, to work on 8-bit devices. This would certainly ease the transition. '


So I understand about increasing dynamic range to match Plasma levels, but it seems like an effort to increase the color gamut beyond rec.709 is a part of the initiative as well...


Somewhere I read that these issues are all being discussed within the context of defining the new Blueray 4K standard which is expected to be finalized before year-end.


Thoughts?


-fafrd

So it will include 2 different mastering for 2 different gamut's in the same stream? This is impossible. How this TV can be calibrate? if it's peak white is floating? 4K TV's are released at stores at 2010 we are still waiting news for the next format...

Quote:
Originally Posted by ConnecTEDDD  /t/1519256/calibration-of-wide-color-gamut#post_24398263

Quote:
Originally Posted by fafrd  /t/1519256/calibration-of-wide-color-gamut#post_24398220

Quote:
Originally Posted by ConnecTEDDD  /t/1519256/calibration-of-wide-color-gamut#post_24398074

Quote:
Originally Posted by fafrd  /t/1519256/calibration-of-wide-color-gamut#post_24398028


So do you see any value to having one of these wide-color-gamut / 80% rec.2020 / 98% DCI / X-Tended Dynamic Range Pro (Sony) TVs over the next 5 years or so?? Beyond OLED, it seems that there is an initiative this year to get LED/LCD TVs supporting higher dynamic range with an extended color gamut out with the idea that the new standards emerging for 4K will provide an opportunity to get some support for HDR standardized at the same time.


Appreciate your thoughts on the initiative for 4K standards and what this might represent in terms of support for new color standards beyond rec.709...


-fafrd

X-Tended Dynamic Range and other marketing words means that they will try to reach the dynamic range that Plasma had (minimizing clouding & halo effect).... So this means Full Array LED Backlighting.... If companies move from Edge LED to full Array of White or RGB LED's to their expensive models, the picture will be improved.

This CNET article makes several references to a wider color gamut than rec.709 being a key component of Dolby Vision technology: http://reviews.cnet.com/8301-33199_7-57616081-221/behind-the-scenes-with-dolbys-new-hdr-tv-tech/


Here is an excerpt: 'While the company didn't go into too much detail, it explained that its idea for this higher dynamic range, wider color gamut image, would be backward-compatible. As in, its 12-bit signal could be "mapped down," essentially downconverted, to work on 8-bit devices. This would certainly ease the transition. '


So I understand about increasing dynamic range to match Plasma levels, but it seems like an effort to increase the color gamut beyond rec.709 is a part of the initiative as well...


Somewhere I read that these issues are all being discussed within the context of defining the new Blueray 4K standard which is expected to be finalized before year-end.


Thoughts?


-fafrd

So it will include 2 different mastering for 2 different gamut's in the same stream? This is impossible. How this TV can be calibrate? if it's peak white is floating? 4K TV's are released at stores at 2010 we are still waiting news for the next format...

This was my question, exactly



From what I have understood about the Dolby Vision HDR initiative, the 'extended' data is intended to be encoded as meta-data on top of the standard stream. So the standard master + metadata to create the High Dynamic Range (remastered) image (including the extended color gamut).


I was just about to dip my toe into calibration using a colorimeter, and since I plan to purchase one of these new HDR panels late this year (mainly because they will be FALD and should produce the best picture), this issue of how TVs supporting the new HDR standard that is expected to issue before the end of the year wil be calibrated has thrown me or a loop...


-fafrd
See less See more

Quote:
Originally Posted by fafrd  /t/1519256/calibration-of-wide-color-gamut#post_24398354

Quote:
Originally Posted by ConnecTEDDD  /t/1519256/calibration-of-wide-color-gamut#post_24398263

Quote:
Originally Posted by fafrd  /t/1519256/calibration-of-wide-color-gamut#post_24398220

Quote:
Originally Posted by ConnecTEDDD  /t/1519256/calibration-of-wide-color-gamut#post_24398074

Quote:
Originally Posted by fafrd  /t/1519256/calibration-of-wide-color-gamut#post_24398028


So do you see any value to having one of these wide-color-gamut / 80% rec.2020 / 98% DCI / X-Tended Dynamic Range Pro (Sony) TVs over the next 5 years or so?? Beyond OLED, it seems that there is an initiative this year to get LED/LCD TVs supporting higher dynamic range with an extended color gamut out with the idea that the new standards emerging for 4K will provide an opportunity to get some support for HDR standardized at the same time.


Appreciate your thoughts on the initiative for 4K standards and what this might represent in terms of support for new color standards beyond rec.709...


-fafrd

X-Tended Dynamic Range and other marketing words means that they will try to reach the dynamic range that Plasma had (minimizing clouding & halo effect).... So this means Full Array LED Backlighting.... If companies move from Edge LED to full Array of White or RGB LED's to their expensive models, the picture will be improved.

This CNET article makes several references to a wider color gamut than rec.709 being a key component of Dolby Vision technology: http://reviews.cnet.com/8301-33199_7-57616081-221/behind-the-scenes-with-dolbys-new-hdr-tv-tech/


Here is an excerpt: 'While the company didn't go into too much detail, it explained that its idea for this higher dynamic range, wider color gamut image, would be backward-compatible. As in, its 12-bit signal could be "mapped down," essentially downconverted, to work on 8-bit devices. This would certainly ease the transition. '


So I understand about increasing dynamic range to match Plasma levels, but it seems like an effort to increase the color gamut beyond rec.709 is a part of the initiative as well...


Somewhere I read that these issues are all being discussed within the context of defining the new Blueray 4K standard which is expected to be finalized before year-end.


Thoughts?


-fafrd

So it will include 2 different mastering for 2 different gamut's in the same stream? This is impossible. How this TV can be calibrate? if it's peak white is floating? 4K TV's are released at stores at 2010 we are still waiting news for the next format...

This was my question, exactly



From what I have understood about the Dolby Vision HDR initiative, the 'extended' data is intended to be encoded as meta-data on top of the standard stream. So the standard master + metadata to create the High Dynamic Range (remastered) image (including the extended color gamut).


I was just about to dip my toe into calibration using a colorimeter, and since I plan to purchase one of these new HDR panels late this year (mainly because they will be FALD and should produce the best picture), this issue of how TVs supporting the new HDR standard that is expected to issue before the end of the year wil be calibrated has thrown me or a loop...


-fafrd

All this is interesting but it better to speak again whem something will come out. All now are theories and marketing tricks. It remindeds me the xvYCC or Deep Color I see at TV's from 2005 but there no stuff out expept these Mastered in 4K movies) that noone can calibrate this extended color, there no CIE cordinates or other ways.
See less See more

Quote:
Originally Posted by ConnecTEDDD  /t/1519256/calibration-of-wide-color-gamut#post_24398416

Quote:
Originally Posted by fafrd  /t/1519256/calibration-of-wide-color-gamut#post_24398354

Quote:
Originally Posted by ConnecTEDDD  /t/1519256/calibration-of-wide-color-gamut#post_24398263

Quote:
Originally Posted by fafrd  /t/1519256/calibration-of-wide-color-gamut#post_24398220

Quote:
Originally Posted by ConnecTEDDD  /t/1519256/calibration-of-wide-color-gamut#post_24398074

Quote:
Originally Posted by fafrd  /t/1519256/calibration-of-wide-color-gamut#post_24398028


So do you see any value to having one of these wide-color-gamut / 80% rec.2020 / 98% DCI / X-Tended Dynamic Range Pro (Sony) TVs over the next 5 years or so?? Beyond OLED, it seems that there is an initiative this year to get LED/LCD TVs supporting higher dynamic range with an extended color gamut out with the idea that the new standards emerging for 4K will provide an opportunity to get some support for HDR standardized at the same time.


Appreciate your thoughts on the initiative for 4K standards and what this might represent in terms of support for new color standards beyond rec.709...


-fafrd

X-Tended Dynamic Range and other marketing words means that they will try to reach the dynamic range that Plasma had (minimizing clouding & halo effect).... So this means Full Array LED Backlighting.... If companies move from Edge LED to full Array of White or RGB LED's to their expensive models, the picture will be improved.

This CNET article makes several references to a wider color gamut than rec.709 being a key component of Dolby Vision technology: http://reviews.cnet.com/8301-33199_7-57616081-221/behind-the-scenes-with-dolbys-new-hdr-tv-tech/


Here is an excerpt: 'While the company didn't go into too much detail, it explained that its idea for this higher dynamic range, wider color gamut image, would be backward-compatible. As in, its 12-bit signal could be "mapped down," essentially downconverted, to work on 8-bit devices. This would certainly ease the transition. '


So I understand about increasing dynamic range to match Plasma levels, but it seems like an effort to increase the color gamut beyond rec.709 is a part of the initiative as well...


Somewhere I read that these issues are all being discussed within the context of defining the new Blueray 4K standard which is expected to be finalized before year-end.


Thoughts?


-fafrd

So it will include 2 different mastering for 2 different gamut's in the same stream? This is impossible. How this TV can be calibrate? if it's peak white is floating? 4K TV's are released at stores at 2010 we are still waiting news for the next format...

This was my question, exactly



From what I have understood about the Dolby Vision HDR initiative, the 'extended' data is intended to be encoded as meta-data on top of the standard stream. So the standard master + metadata to create the High Dynamic Range (remastered) image (including the extended color gamut).


I was just about to dip my toe into calibration using a colorimeter, and since I plan to purchase one of these new HDR panels late this year (mainly because they will be FALD and should produce the best picture), this issue of how TVs supporting the new HDR standard that is expected to issue before the end of the year wil be calibrated has thrown me or a loop...


-fafrd

All this is interesting but it better to speak again whem something will come out. All now are theories and marketing tricks. It remindeds me the xvYCC or Deep Color I see at TV's from 2005 but there no stuff out expept these Mastered in 4K movies) that noone can calibrate this extended color, there no CIE cordinates or other ways.

OK, thanks. So calibrating to rec.709 and hoping that whatever emerges for 'extended color gamut' in the future can build upon that is about the best we can hope for, for now...


-fafrd
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HDTV and Blu-ray will never have anything but rec. 709 color space. There will NEVER be a consumer HD video format with a wider color gamut than rec. 709.


A new worldwide video format standard will have to be developed and adopted before there is ANY consumer source with a wider color gamut than HD/rec.709. Right now it appears that the industry is maybe 60% serious about creating an all-new video standard for UHD that will establish 3840x2160p60 as the new defacto standard resolution for UHD and it will come with a wider color gamut, possibly a MUCH wider color gamut than rec.709.


So until there is an ESTABLISHED UHD standard, NOBODY is going to be making a video display that will meet the new standard unless it is just dumb luck. Certainly no HD-resolution display manufactured now or in the near future is going to know what the new standard will be because NOBODY KNOWS what the new standard will be yet.


4K display (panel and projector) manufacturers are all guessing at what the UHD standard might be so they are supporting DCI and maybe one or 2 other large color spaces, but what is finally adopted might be different than anything that exists today.


Furthermore, just in the last few months there has been discussion that UHD may just be the video standard that finally does away with gamma.... meaning UHD cameras/sources and displays will all have linear luminance relationships (a "straight line" gamma rather than a gamma curve). If that is adopted, any TV or projector you buy today (HD or UHD) that can't produce "no gamma" won't be compatible with the (possible) new UHD standard.


And of course, a large color gamut used with HD video sources accomplishes nothing but making 100% of everything on the screen inaccurate, so you certainly don't want to be using a wide gamut display with HD sources unless that wide gamut display has an accurate rec.709 mode.
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Quote:
Originally Posted by Doug Blackburn  /t/1519256/calibration-of-wide-color-gamut#post_24400252


HDTV and Blu-ray will never have anything but rec. 709 color space. There will NEVER be a consumer HD video format with a wider color gamut than rec. 709.


A new worldwide video format standard will have to be developed and adopted before there is ANY consumer source with a wider color gamut than HD/rec.709. Right now it appears that the industry is maybe 60% serious about creating an all-new video standard for UHD that will establish 3840x2160p60 as the new defacto standard resolution for UHD and it will come with a wider color gamut, possibly a MUCH wider color gamut than rec.709.


So until there is an ESTABLISHED UHD standard, NOBODY is going to be making a video display that will meet the new standard unless it is just dumb luck. Certainly no HD-resolution display manufactured now or in the near future is going to know what the new standard will be because NOBODY KNOWS what the new standard will be yet.


4K display (panel and projector) manufacturers are all guessing at what the UHD standard might be so they are supporting DCI and maybe one or 2 other large color spaces, but what is finally adopted might be different than anything that exists today.


Furthermore, just in the last few months there has been discussion that UHD may just be the video standard that finally does away with gamma.... meaning UHD cameras/sources and displays will all have linear luminance relationships (a "straight line" gamma rather than a gamma curve). If that is adopted, any TV or projector you buy today (HD or UHD) that can't produce "no gamma" won't be compatible with the (possible) new UHD standard.


And of course, a large color gamut used with HD video sources accomplishes nothing but making 100% of everything on the screen inaccurate, so you certainly don't want to be using a wide gamut display with HD sources unless that wide gamut display has an accurate rec.709 mode.

Thanks for the perspective, Doug. I certainly understand the last point that any display need to have a accurate rec.709 mode to accurately display HD sources. It sounds like for all the rest, things are in such a state of flux that there is no real possibility to 'future proof' with a purchase over the next 12 months...


Do you have any understanding of how Netflix will roll out Dolby Vision content on displays that support wider color gamut (assuming they actually deliver later this year): http://www.engadget.com/2014/01/06/dolby-vision-fall-release/


will it be an extension of a rec.709 calibration into an 'extended' (and extrapolated) colorspace?


The Sony 950B makes reference to X-Tended Dynamic Range only, so sounds like it may just be an increase in dynamic range within the rec.709 colorspace, is that right?


Thanks again for your insight into this confusing subject of extended color gamuts and HDR,


-fafrd
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increased dynamic range means just that - there is no connection with wider gamut i.e. more saturated colors (as if it would be a good thing without some standard for it)..I just fail to see how different that is from what we now have with current high contrast displays OLED or some plasmas...
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