Quote:
Originally Posted by
BIslander /forum/post/20895826
http://www.hemagazine.com/node/Dolby...compressed_PCM
If anyone reading this often cited article assumes it's a scientifically vigorous and conclusive study it's not, certainly not of the standard to be published in a peer-reviewed good scientific journal. Read
this long thread for more comments from both sides.
You can pick a short silent or simple quiet segment and demonstrate there's no difference between lossless and lossy. How about a longer, more complex and higher resolution segment, like the 2L Divertimento BD with 7.1 24/192 in both Dolby THD and DD in a DBT?
According to blu-raystats.com, 6.4% of BDs have 7.1 channels (I can't vouch for the accuracy), so 5.1 to 7.1 isn't worth it. Also it depends on your room size.
Those with legacy DD/dts AVRs can try the following and judge for themselves the difference between lossless v. lossy with their own equipment:
1. If AVR has 5.1 in then use the 5.1 out of the BDP, if available.
2. If (1) isn't possible, at least try a stereo track or stereo downmix via optical, as this can pass 2CH PCM and compare that to a 2CH DD/dts downmix from the same disc.
In both cases some careful fiddling with the settings in player and AVR will be needed.