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Edison - The Invention of the Movies (1891-1918)

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For all the film buffs out there...
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While the subject material of this set as well as the price ensures that it will not be for everyone, those with an interest in early cinema or early 20th century history cannot afford to pass this one up. An unprecedented collaborative effort between MOMA, The Library Of Congress, and Kino International, EDISON: THE INVENTION OF THE MOVIES allows us to witness the birth, the development, and the ultimate demise of America's first movie company and one of the most influential companies in cinema history. 140 Edison films are included in this 4 DVD set. Many of the earliest ones from the 1890s are less than a minute long and are time capsules of people and places from over 100 years ago while the mainstay of the collection are the one reelers directed by Edwin S. Porter between 1902 and 1908. Disc 2 in particular shows just how good Porter really was. Films like THE KLEPTOMANIAC, THE WHITE CAPS, and THE TEDDY BEARS are as good as any of the short works done later at Biograph by D.W. Griffith. Ironically as Edison's films got longer and more polished the artistic level of their movies declined as they moved away from their original working class audiences and into the world of the middle and upper classes. The films lost their early edge and became safer and more predictable. In its last years Edison was at its best with non-dramatic pieces like THE PUBLIC AND PRIVATE CARE OF INFANTS and THE WONDERS OF MAGNETISM although THE PASSERBY is a remarkable dramatic gem of bitter irony. The company did go out in a big way with the World War I feature THE UNBELIEVER which featured a young Erich von Stroheim. While this set gets 5 stars all the way for its historical significance and for its packaging of interviews and extras, I do have a few complaints. There are a few selections such as FIRESIDE REMINISCENCES which are so badly deteriorated that I wonder why they were included considering the wealth of material there was to draw from. I also found the various music scores that accompany the films to be rather bland as a whole. While not unsuitable, they do little to enhance the material which in some cases really needs to be enhanced. However these are minor quibbles compared with the historic value and the surprising artistic achievement of some of these films and I cannot recommend this set highly enough to students of early cinema and to silent film enthusiasts. To be put on the shelf next to THE MOVIES BEGIN and the TREASURES FROM AMERICAN FILM ARCHIVES series.
http://www.amazon.com/exec/obidos/AS...598336-8982516


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Did anyone else out there pick this one up? I love the time-capsule aspect of the old silents, so I couldn't resist. So far I've watched all of disk one, only 3 more disks to go!


So many of these moving images are iconic by now: The John C. Rice/May Irwin Kiss and the Edison Kinetoscopic Record of a Sneeze were both featured during the opening montages of the Academy Awards. Probably everyone has seen the footage of Sandow flexing his muscles and Professor Welton's Boxing Cats. It is great seeing these uncut and in their entirety, as short as that is (many of the films are so short they are measured in feet, not time).


There are dancing girls, striptease acts performed on trapeze, and lots of fires being fought. The electrocution of an elephant is shocking (no pun intended), as are the various racist depictions of blacks and other minorities. But it's all here, warts and all, the beauty along with the ugliness of the era. For better or worse, this is a window into an era passed by.


The interviews that are interspersed throughout shed a lot of light on the subjects and make for a more enriching viewing experience. Keep in mind though, these are professors and archivists, not entertainers, so some of the commentary can get long-winded and a bit dry. Still, there is a lot that is fascinating and you really do come away learning a lot of new things about these early fragile silents. For example, I did not know that many of these films were actually recorded frame-by-frame onto a paper strip to be registered at the copyright office. Later this became a way to recover lost films since the paper was hardier than nitrate film.


I wish they had included a booklet with this set, but instead you get pdf files that you'll have to print up on your computer. Or you can go to the official site and view the notes yourself at http://www.kino.com/edison/


This set is not ideally suited for the casual viewer, but it is a treasure trove for any silent film enthusiast. Deep Discount DVD has a great price on the set, it's well worth it.
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But it's all here, warts and all, the beauty along with the ugliness of the era. For better or worse, this is a window into an era passed by.
Reminds me of what I've noticed when looking at the Edison wax cylinders selling on eBay. I was thinking of picking up a couple to add to my media collection, and working on restoring a player when I have extra funds, since I have players and media for most semi-popular dead video formats but not much in the way of audio. A whole lot of them seem to be African-Americans singing, with some startling language in the labels like "'Amazing Grace' in **** Dialect" and "******* singing 'Massa's Body'."


Amazing how much American attitudes have progressed, mostly in the last 50 years. I had a great-grandmother who was absolutely the sweetest old lady--she'd give away her last pennies each week to other elderly people in her neighborhood less fortunate or to the Church. But she shocked the family one day when she was walking down the sidewalk and a few black folks walked past--she said "In my day those darn nig***s would've had the respect to clear the sidewalk for us." Jaw-dropping, absolutely surprising, for us; but I guess not unexpected for someone born in 1898 who grew up in segregated Virginia. Fortunately we've matured a lot since her day...


Getting back to A/V, it's also amazing how much the technology has progressed--from bulky wax cylinders containing 2 minutes of scratchy mono to relatively compact DVD-A and SACD with full concerts in 6.1 channels; from huge film reels with a minute of grainy low-res B&W you had to make a trip to see, to today's full-length technicolor extravaganzas digitized for home viewing in HD.


It really makes you wonder what A/V will be like a century from now. Will people view our 2D 24fps films as being as primitive and nascent compared to whatever they have, as we view Edison's early films compared to what we have?
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The Edison set is quite wonderful. I wish the "experts" opinions would have been simply used as a commentary track. I don't really want to see them...especially now that I've seen 'em! Then again, these archivists have spent hours in dark rooms...hovering over moviolas, Steinbecks, and magnifying glasses...I guess they deserve public notice. Wow, I totally changed my mind! More archivists please! If not for that kind of devotion and work we not watch fantastic collections like the Edison bonanza. Oh yeah, Sergei, you gotta pick up some cylinders. Then save for a player...they can be pricey! I sure love mine!
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