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Originally Posted by JakeCourtney /forum/post/20887647
Thanks for taking the time and answering. In the other forum section you were recommended as the resident expert in DIY screen painting.
Well that's nice of 'em to say so...but I got to where I am today on the backs of other members, some of which that are still active. Due credit must be given to them as well, as DIY Screen making has been, and always will be a collaborate effort among many.
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I'm considering spending a little more and getting the Epson 8700, but at the advice of everyone on the forums I'm waiting until the Expo to see if anything new is announced.
Well they often say that, but past history has shown that if one waits for anything "new' that gets previewed at CEDIA to be actually released, the actual time waiting for such can extend well into the next year. Few Mfgs have ready inventory just sitting in stasis waiting to be released until the day after CEDIA closes.
I'll be there for certain, pumping every single Mfg Rep of any worthy new PJ application for the real "truth"...yet I'm also certain I'll get a lot of smoke blown up the 'ol Poop Chute.
It's like this....if you (a PJ Mfg) have something new coming to market...sometime soon but with no
real certainty of a release date, and you want to have people wait for it, you usually will resort to making promises that you really have no intention of being able to keep. It's essentially an accepted Industry standard.
Yet on the Forum, there are many who are always hedging....always worrying that they will spend first...then have Buyer's remorse.
Let's take the much touted Epson PJs shown at last year's CEDIA...units that sported 1,000,000:1 Dynamic contrast. Wow.....gotta wait for those! ......and wait......and wait..........and wait.....and what? They were supposed to be released last November. It's now CEDIA again...and the latest release date is the end of September. This September? Who knows?
The moral? Do your research....base a buying decision on known performance attributes currently available, optimize the choice you make by mating it with an effective choice of Screen surface, and then try your best to match those choices up to whatever your room's issues bring into the equation.
Products that are as of yet unreleased are merely "Pie in the Sky" until you can actually order them for "IMMEDIATE" delivery. Even the AVS Store has taken "pre-orders" for PJs and then left members waiting for
"months" for delivery. Whats worse.....buying something that is "State of the Art" now and enjoying it now....or waiting some interminably longer spell for that piece of Pie that might just never show on your plate?
Myself.....I like my Pie when I'm hungry.
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Contrast ratio is pretty important to me and I've rented the 8350 for a few days from Best Buy and the blacks were pretty gray in total black scenes. It was totally out of the box settings however.
In actuality, the 8350 can looks splendidly better when shooting onto a high contrast Gray surface....immeasurably so than onto a Matte White. One option would be to paint the Screen first....re-test the 8350, and see if you can save the considerable difference in price between the 8350 & 8700. Any shade of Gray the 8350 can handle will be just as applicable for the 8700.
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I heard the 8700 has better contrast, but I feel my room is reflecting a lot of light.
It absolutely has significantly better Black levels. 200,000:1 vs 50,000:1 is a wide margin. Not only that, but in every circumstance, that higher level of dynamic contrast combined with the better Lens & Iris sytem (...than the ones the 8350 has...) allows the 8700's 1600 lumens to show a brighter, more dynamic image...light or dark...than the 8350's 2000 lumens does.. It's a very noticeable difference, that once again can be made even "Mo Bedder" by shooting onto a reflective higher gain - high contrast Gray surface.
Essentially, what with the recent price drop and free extra bulb Voucher, I've stopped using the 8350 in favor of the 8700 in almost every instance.
..........and I did so love what the 8350 could do on the screens I make. It's just that now, I'm even deeper in love with what the 8700 can do for the money.
But....when I can get on o-dose new Uber-contrast Epsons I'll be a-switchin' to 'em every chance I can get....you can be certain of that!
I just won't be tellin' anybody to wait for 'em though....
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If you look at the link before, I've got some crappy phone camera pictures of my projector room. It's fake wood paneling that has a bit of gloss on it, plus white ceiling & carpet. The fact that the room isn't that wide with a 120" screen probably means a lot of light is getting bounced back on the screen I would guess.
You can be certain of that as being a fact....not supposition.
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That's why I'm thinking maybe a gray screen would help more. I only really care about total darkness viewing.
Until we can see affordable PJs with those 1 Mil :1 Contrast specs hit the market, virtually any projector, and room that is not "cave-like", can and will benefit from the use of a good high Gain / High Contrast Gray Screen
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So I'm in for about $160 on the screen so far, which I don't really think is very much at all. I'd be willing to try and paint the screen gray if you think it would help in my situation.
It's not....I do....you should...and if you do you will be very glad you did.
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Is there anything I can do to the room besides painting the walls and ceiling black?
Black is ugly. There are many applicable colors to choose from that all have Contrast enhancing attributes. Blues...Grays...Greens...even Browns (...not among my favorite though...) all can fit the bill as long as they are of a "Flat" or no more than a Satin Finish. I have dome many rooms where the ceiling is a 4x darker shade of the same Color the Walls are. The blending/matching of such is very attractive.
So there you have some more "Pie" to feast on. Wipe your chin and let's get something started!