I bought the Pioneer 510 last spring, to archive old VHS tapes. While I have loved this recorder for everything else, it does have a problem with bad source material -- it will black out periodically, leaving video holes in some of my most important things (I work in the theater and have tapes of some of my productions).
So I bought the Panasonic E80 to record these tapes. But I have hated working with the E80 -- it isn't user friendly, or particularly efficient.
After many false starts, I found a very useful solution to the problem. I can use both of my machines.
I connect the VCR (which is a Panasonic! LOL) into the E80, using R&L audio inputs and S-video. Then I connect the E80 directly to the 510, using the same outputs and inputs.
I set the E80 to XP (highest quality) and the 510 to FINE (highest quality). Then start recording on the Pioneer, and playback on the VCR. Voila! The picture is stable -- no dropouts.
And now I can use the 510 for all editing and downloading to disk, and this is the area in which it shines.
My next conundrum: how best to get this video material onto my Macintosh, so I can really work with it (in Final Cut Pro or iMovie, for instance).
So I bought the Panasonic E80 to record these tapes. But I have hated working with the E80 -- it isn't user friendly, or particularly efficient.
After many false starts, I found a very useful solution to the problem. I can use both of my machines.
I connect the VCR (which is a Panasonic! LOL) into the E80, using R&L audio inputs and S-video. Then I connect the E80 directly to the 510, using the same outputs and inputs.
I set the E80 to XP (highest quality) and the 510 to FINE (highest quality). Then start recording on the Pioneer, and playback on the VCR. Voila! The picture is stable -- no dropouts.
And now I can use the 510 for all editing and downloading to disk, and this is the area in which it shines.
My next conundrum: how best to get this video material onto my Macintosh, so I can really work with it (in Final Cut Pro or iMovie, for instance).