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While pushing air to significant non-linearity is interesting for sure, I'm more interested in how that works into the sum of the entire operation, in particular the outside of the enclosure. Data on distortion products of a system with a high performance 18" driver in 4 cubic feet versus 8 cubic feet of enclosure volume at the lowest frequencies of interest would be interesting, but then again, you're always balancing trade offs, aren't we?
If you gave 8 cubic feet for a driver to operate in a sealed manner that could function well in 4... you could also put two of those drivers in 8 cubic feet... so would 1 driver with 8 cubic feet of enclosure volume yield less total distortion than 2 of the same drivers? If you had the enclosure space, you could also implement a reflex system too. Everything changes. What if you wanted a 4 cubic foot enclosure? Just keep the output low enough to not displace/compress any air?
It'd be interesting to have a whole table of real data to look at, but I think the first question I'd like answered, is how much distortion at, say 20, 30, 40 Hz, at what output level, is the actual air volume on the inside of the enclosure contributing on the outside, and how much would that change distortion/compression/whatever if you doubled the enclosure volume, and how would that compare to doubling the enclosure volume AND doubling drivers? If anybody has actually done such a thing, I would really love to see the results.
If you gave 8 cubic feet for a driver to operate in a sealed manner that could function well in 4... you could also put two of those drivers in 8 cubic feet... so would 1 driver with 8 cubic feet of enclosure volume yield less total distortion than 2 of the same drivers? If you had the enclosure space, you could also implement a reflex system too. Everything changes. What if you wanted a 4 cubic foot enclosure? Just keep the output low enough to not displace/compress any air?
It'd be interesting to have a whole table of real data to look at, but I think the first question I'd like answered, is how much distortion at, say 20, 30, 40 Hz, at what output level, is the actual air volume on the inside of the enclosure contributing on the outside, and how much would that change distortion/compression/whatever if you doubled the enclosure volume, and how would that compare to doubling the enclosure volume AND doubling drivers? If anybody has actually done such a thing, I would really love to see the results.