I want to feed a projector over a long component cable from both a DVD player and TiVo, which only has s-video out.
I know that production transcoders ($1k & up) exist that handle this and I know I could just run an s-video cable along side the component one. I also know I won't get any quality improvement: all I'm doing is moving the chroma demod from the projector to my AV rack. I'm just interested in whether this could be done for less than the cost of a good 25' s-video cable ($58.95 @ A2Z).
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The Y signal in Y/C is the same as the Y in Y Pr Pb (though it might need scaling).
I think the C is QAM I and Q chroma signals, just like in composite video. Separating it into Pr and Pb is not as hard as Y/C separation, but it's a little tricky:
The signals are modulated on 3.58MHz carriers, 90 degrees out of phase which each other. A phase comparator can extract a single phase-modulated signal, but how do you do QAM demod?
There are cheap chips for doing this in TVs. NTE distributes a few. Most are RGB-oriented for feeding guns, so not really appropriate (they take both Y and C from the output of the comb filter).
Any video engineers have some insight into the difficulty?
I know that production transcoders ($1k & up) exist that handle this and I know I could just run an s-video cable along side the component one. I also know I won't get any quality improvement: all I'm doing is moving the chroma demod from the projector to my AV rack. I'm just interested in whether this could be done for less than the cost of a good 25' s-video cable ($58.95 @ A2Z).
--
The Y signal in Y/C is the same as the Y in Y Pr Pb (though it might need scaling).
I think the C is QAM I and Q chroma signals, just like in composite video. Separating it into Pr and Pb is not as hard as Y/C separation, but it's a little tricky:
The signals are modulated on 3.58MHz carriers, 90 degrees out of phase which each other. A phase comparator can extract a single phase-modulated signal, but how do you do QAM demod?
There are cheap chips for doing this in TVs. NTE distributes a few. Most are RGB-oriented for feeding guns, so not really appropriate (they take both Y and C from the output of the comb filter).
Any video engineers have some insight into the difficulty?