I know there are lots of OAR fanatics here. And I hear your call, and mostly agree with the sentiments. But with more and more films being shot in 2:35 for NO GOOD REASON, cropping/pan & scan can sometimes make a film better.
Nobody is knocking widescreen. But 2:35 started as a means for those "epic" films (starting in the '50's) to show those broad battlefield, etc. Nowadays, most filmmakers use it because they are too incompetent to design shots in anything but 2:35. I mean, after all, they have these huge sets, why not show all of it?
Elegance and efficiency go right out the door, everything becomes "in your face" with the assumption that the viewing public is too stupid to fill in the blanks.
Result - we get tons of useless visual information, with a huge, wide screen filled with characters/objects rendered too small to elicit fine detail and artistic nuance.
I am NOT against 2:35. It has its merits for the proper material. But when I see ANIMATED movies and films like "In the Bedroom" being shot in 2:35, I have to ask: Why? Why do character driven films need a wide aspect?
It's for reasons like this that I am NOT an OAR fanatic. You say the film is cropped? GOOD!. Maybe it should have been shot that way...
Nobody is knocking widescreen. But 2:35 started as a means for those "epic" films (starting in the '50's) to show those broad battlefield, etc. Nowadays, most filmmakers use it because they are too incompetent to design shots in anything but 2:35. I mean, after all, they have these huge sets, why not show all of it?
Elegance and efficiency go right out the door, everything becomes "in your face" with the assumption that the viewing public is too stupid to fill in the blanks.
Result - we get tons of useless visual information, with a huge, wide screen filled with characters/objects rendered too small to elicit fine detail and artistic nuance.
I am NOT against 2:35. It has its merits for the proper material. But when I see ANIMATED movies and films like "In the Bedroom" being shot in 2:35, I have to ask: Why? Why do character driven films need a wide aspect?
It's for reasons like this that I am NOT an OAR fanatic. You say the film is cropped? GOOD!. Maybe it should have been shot that way...