I should point out, and im not sure Tim has mentioned this, but I feel Tim has been the person behind VDC even thinking about making Panasonic tubes for Marquee's. This may have led to VDC aquiring the Marquee !!!..
I think a very serious set of kudos go to Tim for this work he did with Charlie and VDC. He lent them a Marquee for study and has worked with them all along.
Certinally a big round of thanks needs to go to Tim !
Just thought I would point that out....
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YES I have had headache the past week. I am a newbie to a rebuilt Marquee. Tim is the Guru on this subject for sure. I had swapped many a tube however I had never encountered any problems before.
The process of getting you Marquee tubed is VERY different from VDC then with Christie/Electrohome/Vidikron.
With Christie/Electrohome/Vidikron when you order tubes you get an assembly that has everything ready to go and aligned. You simply drop the whole thing in and bolt on the lens, pop on the neck board and plug in the HV lead. So minor alignment of the flare magnets on the neck is all thats required. You then send the old tube back.
With VDC its very different.
First you must first strip all the yoke and magnets off your current tube. Then send in your tube. You get one back and you must then place all the neck elements back on your self including aligning them correctly. This is more of a art then a science and is time consuming to be correct. The tube will have a wider variation on a few items then a Panasonic tube and require large adjustment. Like G2 (Cutoff) and focus in zones. Astig also varies alot more with a VDC replacement.
What I have seen is very interesting on these tubes. The red is Panasonic and blue and green are VDC.
What I see is that when contrast (Beam current) is really low (30) then there are no issues at all. Astig/focus/beam spot everything is good. However as you increase beam current (contrast) the spot gets sloppy. Its not really a bigger dot more like a halo. This is very linear as the contrast goes up the beam gets sloppier. The red stays together all the way to 100.
The other weird symptoms are that when the projector is set to 100 contrast and focus is varied from 0 to 100 the way the dot looks is very different at both ends of focus then the Panasonic tube. At a low contrast this strange effect is still visiable.
This is not a subtle problem. at 65 contrast the blue convergence line width is 4 times wider then the Panasonic. The green is like twice as wide. These tubes may be an exception.
So I am going to ship out these tubes today fed-x and have Charlie re-tube me. We will see.
After have long talks with Charlie Acurio I am certin with time these types of problems will be resolved. I have found VDC and Charlie VERY good to work with. Awesome support. In Charlies defense these tubes are VERY hard to make. If just anybody could make them they would have already !.
So, where do I find really deep technical theory on front projection tubes ?. This is hard info to come by.
I did find a very cool site that you guys may have already seen, it was new to me and really cool.
here and
here I admit after seeing these pages I have serious vintage CRT tube collecting envy.
I will post on here what I find with this whole process and the outcome of this saga.
