CZ
The high power never hotspot's. The M2500 does, but it's so big and diffuse it never rears it's ugly head like the Stewart 2.0 I had.
Never use the high power with a ceiling mount, this is not reccomended by the manufacturer for good reason, it's retro-reflective. Only where a low ceiling and the lense is within a arm,s lenght would it work well.
Angular-reflective is where the M2500 will work best, but under the best seat scenario the highpower wins hands down if you can stand the narrow viewing cone and a high floor mount location. Overall wider cone and more flexibility, the M2500 is a cheap alternative.
A wide cone high power is what everyone wants- sorry! It won,t happen anytime soon.
All the high gains will cause color shift with CRT, but for me the lowered stress on the CRT and sharper overall (reduced blooming) picture, plus reduced light splatter off walls (more focused light path to you) with higher contrast ratio's add up to little negatives compared to the gains.
I see color shift with 1.0 material, especially with the big heavy aluminum HD lenses, less for sure, but still there . These negatives are only visible on 80 to 100 IRE levels and only manifest themselves occasionally with the high gains
I can appreciate the wide cone 1.3 material and what it does right of course, but the low output nature of CRT has me supplementing it at the moment.
David