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Sony HS51 and 133" Screen

638 Views 15 Replies 6 Participants Last post by  Shan
Hi All,


I have a ceiling mounted Sony HS51 projector. I am currently using a 106" Da-lite High Power screen. It seems to have a wierd sheen to it in really dark scenes, almost like there is light reflecting back on it and washing out the picture. Even thought my ceiling is painted a flast black, I am thinking the light coming from the screen is refelcting back towards the Sony and then washing back onto the screen. As a result, I am in the process of investigating screen options and, as long as I am buying, I might as well go larger.


I have been getting fabric samples, but you really can't tell crap from them for the most part.


I stumbled across the updated projector calculator at Projector Central and it has a screen brightness calc on it too now. The odd thing is when I select my projector and a 133" 1.0 Gain screen, it says the screen is too bright and I should either go with a larger screen or a lower gain. I know this cannot be right. I cannot imagine that the HS51 would look very good on a 1.0 gain screen that size.


Does anyone here have a 133" screen for their HS51 or a comparible brightness projector? If so, what screen fabric are you using?


Thanks,


Shan
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Quote:
Originally posted by Shan
I have a ceiling mounted Sony HS51 projector. I am currently using a 106" Da-lite High Power screen. It seems to have a wierd sheen to it in really dark scenes, almost like there is light reflecting back on it and washing out the picture. Even thought my ceiling is painted a flast black, I am thinking the light coming from the screen is refelcting back towards the Sony and then washing back onto the screen. As a result, I am in the process of investigating screen options and, as long as I am buying, I might as well go larger.
The HS51 has a limited ANSI CR, so it is possible that what you are seeing is just the washout from bright parts of the image to dim parts through the HS51 lens. It could also be your room, but even with a perfect room you will be limited by what the HS51 is capable of.


That projectorcentral.com feature seems to use the marketing specs and not real world numbers, so I think it will actually do more harm than good. I find it kind of interesting that they reviewed the HS51 and claimed it was dim and said that a dark viewing space is more important than most projectors, but use a number that is something like 5x the lumens they measured to advise people about screens for it. Garbage in, garbage out. Or worse yet, garbage in, gospel out.


At 133" the High Power with low mount and SilverStar with ceiling mount are the only two I would be likely to recommend if a person was going to calibrate the projector (which results in lower lumens). That is, unless they just like their images dim.


--Darin
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Quote:
Originally posted by darinp2
The HS51 has a limited ANSI CR, so it is possible that what you are seeing is just the washout from bright parts of the image to dim parts through the HS51 lens. It could also be your room, but even with a perfect room you will be limited by what the HS51 is capable of.




--Darin
The only odd thing is that it happens when there is very little brightness on the screen. It almost looks like there is a sheen over the entire screen, but you can only see it in dark spots. I will have to keep playing around with the projector.


Anyone using the HS51 with a large screen (116" diagonal or larger)?
How much light does the HS51 output when calibrated ?


I have a 133" screen, matte white 1.0 gain. My projector is an Epson TW-100H which calibrated gives about 620AL. This gives med approx. 12 foot- lamberts which I feel is about perfect in my dark room (ok, the ceiling is white, but no outside light at all enters the room).


I read somewhere that the recommendation for movie-theatre brightness was 10-16 FL. I feel that's pretty reasonable and would probably be happy within that range.


Before, when I had a 80" 1.1 gain screen, I got 35 FL. That was way too bright for my taste and I had to use a filter in front of the lens to get the light-output down. I'd say I got about 25 FL which still was too much. Much more than 20 FL and I start to get a "TV"-experience instead of a "movie-theatre"-experience if you know what I mean. I also started to notice stuff like compression artifacs much more often.


So, from my personal recommendation, if the HS51 outputs between 600 and 1000AL I would probably be happy with a 1.0 gain screen if the room was properly darkened. More than 1000AL and I think I'd probably go to a 0.8 gain screen, buy a filter or reduce the light output if possble.


YMMW of course. If you like to watch a plasma TV at close range in a dark room you'll probably find the image too dim. I tried a plasma in a dark room and promptly got a headache...
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I think, when properly calibrated, it is closer to 200-300 AL.
Quote:
Originally posted by Shan
I think, when properly calibrated, it is closer to 200-300 AL.
That dim ?


Well, you'd have the choice between a vutec screen then, or not using "cinema black" mode or whatever it is called.


My old TW100H is a light-cannon in comparisation then, at ~625AL calibrated :)


I'm waiting for the D5 1080p panels before I replace the TW100H. Hopefully there'll be a PJ available with good contrast and 700-800AL calibrated light output...
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Quote:
Anyone using the HS51 with a large screen (116" diagonal or larger)?
You got to be kidding anything more than 106" in completely blacked out room will be so dim it will be like watching movies with sunglasses on !

IMHO.
Quote:
Originally posted by Shan
Hi All,


I have a ceiling mounted Sony HS51 projector. I am currently using a 106" Da-lite High Power screen. It seems to have a wierd sheen to it in really dark scenes, almost like there is light reflecting back on it and washing out the picture.

Shan
The hi power is retro reflective. To get the best gain from it you should have the pj shelf mounted. If you have any light directly behind your viewing position it would be getting the max gain of the screen, and would lead to a washed out look!


check the HS51 and HS51 tweaks thread in the

vote in the "which pj did your HS51 replace poll" http://www.avsforum.com/avs-vb/showt...hreadid=511075

if you had not already done so.
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Quote:
Originally posted by REWJR
You got to be kidding anything more than 106" in completely blacked out room will be so dim it will be like watching movies with sunglasses on !

IMHO.
I am watching on a 106" screen today (Da-Lite High Power) and it is plenty bright. I think a material like the M2500, based on the samples I have, or the Silverstar would be too bright at this size.

Quote:
Originally posted by HoustonHoyaFan

The hi power is retro reflective. To get the best gain from it you should have the pj shelf mounted. If you have any light directly behind your viewing position it would be getting the max gain of the screen, and would lead to a washed out look!
There are no lights on in the room. The only light is what is coming from the projector itself.


I think you are right about the screen being the issue, however. I am betting the problem is that, even with a flat black ceiling, I am getting enough light from the projector washing back over the screen from the ceiling that it is washing out the picture. I have several other material samples and they do not seem to have the same problem.


I am leaning to either going with a 133" using the M2500 material or staying at 106" and moving to Video Spectra 1.5.


Is there a tool you can get to measure brightness on the screen to get an accurate Foot/Lamberts number?
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OK, here is what I have calculated for me screen needs. Can someone see if they can poke holes in this?


If I assume the calobrated Lumens of my projector is 350 (averaging between 300 and 400) and I want to get a screen brighness of 20 ft.l, I can go as high as 116" diagonal HDTV format with the M2500 2.5 Gain material. If I went with a 133", the projector would need to be putting out closer to 418 Lumens, which may be high.


From the reading I have been doing on this great forum, it looks like 16 ft.l is a great goal for a dedicated room. 25 ft.l is considered too bright by most. 20 ft.l seems like a reasonable compromise.


This leaves two questions:


1. Am I off my rocker here or does this seem reasonable?

2. How the heck do I determine how many Lumens my projector is actually putting out?


Thanks,


Shan
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Use the following link on the Projector Central site to calculate FL ( Foot Lambert's ) of your display device .

http://www.projectorcentral.com/proj...ulator-pro.cfm


One Major caveat when calculating final FL total remember after 3 months bulb will dim by 30% so as a rough estimate chop final figure in half IMHO.


Then when using Auto iris or dynamic mode you can half the FL again ex:

30 FL after bulb wear becomes 20 FL then when running in iris mode you can half that number again and you get a dim 10 FL .
Quote:
Originally posted by REWJR
Use the following link on the Projector Central site to calculate FL ( Foot Lambert's ) of your display device .

http://www.projectorcentral.com/proj...ulator-pro.cfm
Please don't use their calculators for ft-lamberts unless you are going to remap all of their numbers to calibrated lumens instead of manufacturer's claims. Projectorcentral claimed in their own review of the HS51 that it was under 300 lumens, but their calculator uses the speced 1200 lumens. A classic example of misinformation IMO.


--Darin
I think I am going to go with a 110" screen and the 2.5 Gain M2500 Draper fabric. It really is the only solution that will work well. The Da-Lite Pearlescent 1.5 is too close to minimums and the Silverstar is a little too rich for my blood, I think. I can get the 110" for less than 2G and it should work. Not sure what else to do because I am not going with a smaller screen, the HS51 is the only LCD I can live with (I actually love it) and even the most expensive of DLPs (e.g. Sharp XV12000) has RBE I cannot live with. This seems to be the best solution, unless anyone has any better ideas?


Shan
Damn this would be a whole lot easier if I knew what I was looking for. :)


I did some more playing around tonight and made a few interesting discoveries related to my problem (picture seems washed out).


First, this has nothing to do with lighting. I turned off literally every single light in the area, including items light under-cabinet rope lights, etc. No difference.


This has nothing to do with the retro-reflective properties of the High Power screen. My M2500 sample looks the same exact way. It is a brighter picture, but it still appears to be washed out.


This has nothing to do with screen size. I can unzoom the screen down to about a 85" diagonal screen and it looks the exact same, albeit smaller. Same difference if I zoom to the largest size screen.


The interesting thing is that the High Contrast Matte White fabric sample I have does not display this characteristic at all. Whether you refer to what I am seeing as a sheen or a washed out picture, you put that sample up there and the problem goes away entirely. The Video Spectra 1.5, High Power and M2500 screens all look like they are fighting with ambient light at all times, even though there is none to fight with, but the HCMW looks terrific.


The only issue now is what will the HCMW fabric look like when it covers the entire screen and is 106" in size diagonally? All of my calculations say it will be much too dim, around 12 Ft.l, assuming the projector is putting out 362 Lumens. But I think I am going to have to try it. I can buy a Model B with this fabric in the 106" size shipped for $200. I am beginning to think it will be worth the just to find out if it resolves my issue. Worse case, I end up with that fabric and a smaller screen.


The only thing that continues to baffle me here is why I do not hear others complaining about this issue. Surely it would bother everyone if all of the dark scenes on this projector seemed washed out. Confused.


Shan
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What´s the difference between the HCMW and the HCCV?
I beleive the CV is the unsupported fabric used in Tensioned screens and the HCMW is the supported version with vinyl backing for use in non tensioned applications. other than that, the fabric is the same with the same performance.


Shan
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