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ABSOLUTE ULTIMATE AV
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Discussion Starter · #2 · (Edited)

3170552


ULTRA HIGH CONTRAST 4K HDR 6-DLP RGB
LASER PROJECTOR REVIEW

3170554

SUMMARY:

The Christie Eclipse 4K HDR 6-DLP RGB Laser Projector is not only the best video projector in the world, it is quite literally the best video display in the world, as of right now and the foreseeable future.

It significantly outperforms not only all other projectors, but also all other video displays, across all formats, including all televisions (whether OLED, LED LCD, MicroLED or otherwise), all video walls (e.g. Sony Crystal LED, Samsung The Wall) and even the Sony BVM-HX310 Professional Master Monitor (!) which is used professionally for movies post-production and grading.

The Christie Eclipse is the new reference standard against which all other video displays should now be compared. It is quite literally the ultimate video display and with it Christie has set a benchmark of near insurmountable Everest proportions.


MEASUREMENTS:

CONTRAST:


ON/OFF contrast and ANSI contrast by no means tell you the whole picture as far as contrast performance of video content is concerned, because neither ON/OFF nor ANSI are in fact directly applicable with respect to actual video content. ON/OFF contrast and ANSI contrast are the two extremes of the contrast range that relates to video content. The ON/OFF Contrast is the ratio between the luminance of a fully white screen versus the luminance of a fully black screen. Consequently, it only provides the black level of a completely black screen. Whilst this is useful with respect to obtaining and comparing what is best black level performance capability of the particular display, it does not tell us what is the contrast and/or black level performance of actual video content. Similarly, ANSI Contrast only describes the black level at what is typically the extreme upper limit of image luminance. Wherein statistically over 99% of video content resides in-between these two extremes.

Consequently, in order to obtain a proper understanding of what is the contrast and black levels performance of actual video content we need to take measurements with respect to the full range, not just the ON/OFF and ANSI, but also everything in-between.

Specifically, what is required is to measure the full range of ADL (Average Display Level) contrast, which is the intraframe contrast at a particular image luminance. Where ADL is defined as being the average on-screen brightness after gamma correction; and the ON/OFF contrast corresponds to an ADL of 0%, and the ANSI contrast corresponds to an ADL of 50%.

CHRISTIE ECLIPSE FULL RANGE CONTRAST MEASUREMENTS:
The following contrast measurements were taken at actual usage light output levels:

• NATIVE ON/OFF CONTRAST (0% ADL) = 21,150,500:1
• 1% ADL = 83,649:1
• 2% ADL = 44,545:1
• 3% ADL = 34,730:1
• 4% ADL = 19,461:1
• 5% ADL = 15,452:1
• 10% ADL = 8,228:1
• 20% ADL = 3,771:1
• ANSI CONTRAST (50% ADL) = 1,035:1



To put things in perspective as far as comparative contrast performance is concerned. I've had to make the CONTRAST axis logarithmic in order to be even able to fit the Christie Eclipse's crazy contrast performance onto the chart! And by the way, this is the DYNAMIC Contrast performance of the best performing SONY and JVC home theater projectors versus the NATIVE Contrast performance of the Christie Eclipse:





LUMINANCE:

● PEAK LIGHT OUTPUT = 25,000 LUMENS

● 5.365m / 17’ 7” WIDE 0.9 - 1.0 GAIN SCREEN , WITH CIRCA 16,500 LUMENS LIGHT OUTPUT:

- WHITE LEVEL = 440 NITS

- BLACK LEVEL = 0.00002 NITS (!!!)


GAMUT COVERAGE:

● %AGE OF BT.2020 COLOR GAMUT = 99%


INPUT LAG:

● LATENCY = 16 ms

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PHOTOGRAPHS / SCREENSHOTS:
All of the photos have been taken using a professional photography calibrated flagship Nikon camera, in HDR, as unprocessed and unedited raw images, accurately capturing the actual projected image black level, with the white balance precisely matched to the projection screen. Hence, with respect to these aspects, in addition to the image sharpness and detail delineation, the photos are accurately representative of what the projected images look like in person.

However, despite using HDR photography, the magnitude of the luminance dynamic range of this projector is so incredibly large that it was impossible to capture the full extent of this; and also similarly the chroma (color) gamut coverage of the projector is very considerably wider, deeper, and greater than the capabilities of the camera. Hence, with respect to these aspects the photos are by no means even close to what the projector looks like in person in these regards; where the only way to see what are their actual respective performances is to view the projector in person.

(N.B. in order to view the images with the best accuracy this is best done via a calibrated video display)


* If viewing this using your a mobile device you can simply zoom in with respect to the photos to see them in their full high resolution; or alternatively to view and/or grab the full size photos simply right click on whichever image and select VIEW IMAGE from the menu window. You can also then left click to zoom in and view the image in 1:1 ratio *
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ANALYSIS & GENERAL PERFORMANCE SCORES (OUT OF 100):


● MASCIOLA HDR10 SINGLE PIXEL 4K RESOLUTION TEST PATTERN PERFORMANCE : 98

N.B. THE COUPLE OF SMALL SMEARS ARE DUE TO THIS BEING A PRE-PRODUCTION PROTOTYPE AND WILL NOT BE PRESENT WITH THE PRODUCTION UNITS




● QUICK BROWN FOX TEST PATTERN PERFORMANCE: 98








● NATIVE 4K SINGLE PIXEL GEOMETRY TEST PATTERN PERFORMANCE: 100








● BLACK PLUGE TEST PATTERN BLACK LEVEL PERFORMANCE: 100




● WHITE & BLACK GRID TEST PATTERN PERFORMANCE: 100




● INTERSTELLAR SDR HD-UPSCALED-TO-4K-UHD (00:53:30) PERFORMANCE: 100




● JOURNEY TO SPACE HDR 4K (00:35:50) PERFORMANCE: 100




● SHARPNESS & MTF: 100

You can quite literally see the native 4K pixel structure in absolute perfect razor sharpness throughout the entire image for all 8,847,360 pixels. The projected image quite literally cannot be any sharper! :)

● FOCUS UNIFORMITY: 100

● CHROMATIC ABERRATION: 100

● IMAGE UNIFORMITY: 100

● RGB PIXEL/PANEL ALIGNMENT: 100

● POSTERIZATION (BANDING): 100

● BLOOMING: 97

● STREAKING: 100

● VIDEO NOISE: 100

● MOTION PERFORMANCE: 100

● GAMING PERFORMANCE: 100

TOTAL SCORE = 99.6 / 100


CONCLUSION:

The Christie Eclipse’s patented light engine uses dual DMDs in a way that achieves pixel level luminance control, as per an OLED TV but with projection. Think of it being akin to FALD but with a projector instead of a TV, wherein whilst the primary DMDs which make up the video image are native 4K resolution, the secondary DMDs which govern the pixel level luminance control are HD1080p resolution meaning that there is the equivalent of 2,073,600 'Dimming Zones'.

The result is literally akin to OLED level contrast performance, but with super-high brightness, without OLED's brightness limitations, and none of the uniformity issues that afflict OLED, plus 12-bit color depth and approaching the full BT.2020 color gamut. Whilst also supporting up to 4K120 with 2D, Active 3D with 4K60 into each eye at high brightness with zero crosstalk (the best 3D performance), and 4K60 fullscreen two player gaming (Christie View), the Eclipse actually significantly outperforms OLED, and in fact literally everything else as well, in more ways than one.

But it's not just the ON/OFF contrast performance that's staggering, it's the full range of contrast performance from 0% ADL (ON/OFF) through 1% - 20% ADL and up to and including 50% ADL (= ANSI). The performance is totally off the scale and insane. For example, even at 5% ADL it's exceeding the PEAK ON/OFF contrast performance of the SONY 5000ES! And circa 84,000:1 at 1% ADL is totally nuts!

Also worth mentioning here is the fact that there is no shutting off of the light engine going on here in response to full field back as per the ‘full fade to black’ that is a feature of some laser projectors. This feature yields a black screen with full field black only. As soon as there is any imagery, typically everything from a single pixel, the light engine re-engages and the black level jumps to a shade of gray. There is no such jiggery-pokery going on here with respect to the Eclipse. This fact is easily demonstrated by transitioning from a full field black image to a test pattern comprising a small white square in the center of an otherwise black screen. The result is that the white square appears in the middle of the screen whilst the black level remains precisely the same absolute black as is experienced with the full field black. Exactly as per an emissive display, such as OLED TVs.

Furthermore, there is no Dynamic Contrast functionality with the Eclipse either, which can be used to improve upon the native contrast and black level performance of a projector but with the downside of introduction of numerous video artifacts and issues, which are often so severe that many folks opt to disable / turn off the Dynamic Contrast functionality altogether. With the Eclipse it produces this insane contrast performance NATIVELY.

The same high contrast technology features within Christie's infamous Dolby Cinema projector that it licenses to Dolby for exclusive use in commercial cinemas. However, this is by no means simply a rebadged Dolby Cinema projector. The Eclipse is a next generation significant evolution forwards in front of that projector, with entirely new electronics, and in fact significantly outperforms the Dolby Cinema projector for numerous reasons. Meaning you won't experience anything even close to the video performance of the Eclipse by visiting a Dolby Cinema.

If or when you are fortunate to experience a demo of the Christie Eclipse sometime, trust me when I say that you will never have experienced anything like it. It's literally the best video image that I have ever seen in my life, and it is my business to literally see (and hear) everything that's the top of the top of the pyramid with respect to A/V. The resultant video image is both beautiful and mesmerizing. It is truly an unrivalled sight to behold.


MISCELLANEOUS INFORMATION:

● THREE versions will be available, being: 9,000 lumens; 17,000 lumens; and 25,000 lumens.

● Laser modules will be contained within a separate rack with dimensions W78cm x D80cm x H69cm.

● The laser module rack is liquid cooled, completely silent operation, and comes with 8m or 10m length fibre that connects to the projector head, which can be extended up to 164’ / 50m long.

● There is an external chiller; this is not silent and can be situated up to 30m away.

● The projector head is big and noisy, so needs to be installed into a projection booth / room. It starts at about 64 dBA but rises from there at higher brightness and ambient temperature environments

● There is only a very small few percentage light loss post-calibration, because out-of-the-box the projector is already very close to D65 white point.

● No Laser Speckle. The Christie Eclipse deliberately uses laser diodes with a wide array of differing wavelengths for each of the Red, Green, and Blue components of the RGB color. This combined with patented the dual DMD light engine that produces the insane contrast performance, completely eliminates the phenomenon known as Laser Speckle, which afflicts literally ALL RGB laser projectors, and necessitates countermeasures such as screen vibrators and the like having to be used to reduce the issue. With the Eclipse there isn't any. Literally ZERO. As such the problem has been eradicated entirely. Hence, there is absolutely no need for any anti-speckle systems / solutions.

● Color depth: 12-bit

● Supports 4K60 with low latency.

● High Frame Rate (HFR) 4K120 support and either active or passive (your choice) 3D functionality, with 4K60 into each eye if active; with very high brightness and essentially zero cross-talk

● CHRISTIE VIEW GAMING: In addition to supporting single player gaming at 4K120 (wherein it is worth noting that it has been confirmed that both the upcoming Sony Playstation 5 and Microsoft Xbox Series X gaming consoles will support 4K120 gaming), via use of active glasses you can have two players see the whole screen at 4K60, but a completely different screen to everyone else, in other words it will be akin to the two players each having their own full size Christie Eclipse gaming screen at 4K60.

● Multiple lens options covering a wide array of throw distances versus screen sizes

● 3-Year Warranty. Extended Warranty options available.

● It is Class 1 Risk Group 3.


.
 

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Hi Nigel,

Well maybe you won't mind me posting on this Dedicated Thread even though I will not be in the market for one.

Just stopping by to say Congratulations on such an outstanding product. !!!

If this Thread is actually for Owners or Prospective Owners I can easily delete this Post.

Best wishes,
Terry Honaker
USA
 

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I am not in the market as I imagine the MSRP is probably ten times what I spent on my entire theater, but I admit, I just drool over those specs. The Eclipse truely is the best in the world.



How did they get that sort of contrast out of DLP?


Since Christie doesn't play in the realm of consumer projectors (at least obtainable by the "average joe"), I assume we won't see much trickle down from this technology.


Congratulations on the projector - I'm green with envy!!!
 

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ABSOLUTE ULTIMATE AV
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Discussion Starter · #14 · (Edited)
I am not in the market as I imagine the MSRP is probably ten times what I spent on my entire theater, but I admit, I just drool over those specs. The Eclipse truely is the best in the world.

How did they get that sort of contrast out of DLP?

Since Christie doesn't play in the realm of consumer projectors (at least obtainable by the "average joe"), I assume we won't see much trickle down from this technology.

Congratulations on the projector - I'm green with envy!!!
The Christie Eclipse uses dual DMDs in a way that achieves pixel level luminance control, as per an OLED TV but with projection. Think of it being akin to FALD but with a projector instead of a TV, wherein whilst the primary DMDs which make up the video image are native 4K resolution, the secondary DMDs which govern the pixel level luminance control are HD1080p resolution meaning that there is the equivalent of 2,073,600 'Dimming Zones'.

The result is literally akin to OLED level contrast performance, but with super-high brightness, without OLED's brightness limitations, and none of the uniformity issues that afflict OLED, plus 12-bit color depth and approaching the full BT.2020 color gamut. Whilst also supporting up to 4K120 with 2D, Active 3D with 4K60 into each eye at high brightness with zero crosstalk (the best 3D performance), and 4K60 fullscreen two player gaming (Christie View), the Eclipse actually significantly outperforms OLED, and in fact literally everything else as well, in more ways than one.

The same high contrast technology features within Christie's infamous Dolby Cinema projector that it licenses to Dolby for exclusive use in commercial cinemas. However, this is by no means simply a rebadged Dolby Cinema projector. The Eclipse is a next generation evolution forwards in front of that projector, with entirely new electronics, and in fact significantly outperforms the Dolby Cinema projector for numerous reasons. Meaning you won't experience anything even close to the video performance of the Eclipse by visiting a Dolby Cinema.

You should experience a demo of this monster sometime. Trust me when I say that you will never have experienced anything like it. It's literally the best video image that I have ever seen in my life, and it is my business to literally see (and hear) everything that's the top of the top of the pyramid with respect to A/V.

I don't have mine just yet, as I am in process of relocating from the UK to the USA, but I will most certainly be installing one into my new home theater in the USA and ASAP. The first production units for Home Cinemas will be shipping circa January 2021. So won't be long now! :)

.
 

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ABSOLUTE ULTIMATE AV
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6,123 Posts
Discussion Starter · #15 ·
Hi Nigel,

Well maybe you won't mind me posting on this Dedicated Thread even though I will not be in the market for one.

Just stopping by to say Congratulations on such an outstanding product. !!!

If this Thread is actually for Owners or Prospective Owners I can easily delete this Post.

Best wishes,
Terry Honaker
USA
Terry, your posts are always most welcome sir! :)

This is a truly unique product and as such it will garner a lot of interest from many A/V enthusiasts that might not be in the market for one. As and when the opportunity arises it is my intention to host some 'AV parties' wherein fellow AV Enthusiasts from these forums will have the opportunity to come and experience the incredible performance of this monster, and then feedback and discuss the product thereafter on here accordingly. This will be my way of enabling like-minded AV enthusiasts to have the opportunity to experience something which they might otherwise not have access to experiencing. So consider yourself to have an open invitation to come and attend one of these 'AV parties' as and when.

I am also going to be hosting a second demo event with respect to the Christie Eclipse at Christie Digital in Cypress California sometime between now and the end of the year. This will be another opportunity for folks who are interested to come and experience the performance of this thing. We are currently aiming for sometime in September. I will confirm dates as and when :)

.
 

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The closest I will EVER come to owning an Eclipse, due to the expense, is posting a THANK YOU to Nigel in this very thread!

But someday, when Covid-19 is over, and Nigel's home theater in Florida is up and running, it will be time for a Florida visit!

Nigel, for your new home theater name, if you can't use "Eclipse" due to copyright issues, how about "The Eclipso Theatre"? (Eclipso is a DC Comics villain who comes out at night - so appropriate given the superb unimaginable black level of the Eclipse projector!)
 

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Hi there Nigel.

What an absolute beast. Nice one. :cool:

Relocating eh? That puts paid to any demo for me unfortunately. :(

Cheers and stay safe. :)
 
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I´d REALLY love to have a look at this "baby" at some point @ARROW-AV - seems to really hold the term ultimate display for quite some time moving forward! Hopefully covid is gone and done with come next July; doing a road trip to AV heaven from my Miami / Jupiter stronghold would be on my bucket list if at all possible... :)
 
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I am not in the market as I imagine the MSRP is probably ten times what I spent on my entire theater, but I admit, I just drool over those specs. The Eclipse truely is the best in the world.



How did they get that sort of contrast out of DLP?


Since Christie doesn't play in the realm of consumer projectors (at least obtainable by the "average joe"), I assume we won't see much trickle down from this technology.


Congratulations on the projector - I'm green with envy!!!
Well it is trickling down from the original Dolby Cinema Projection system. With its dual projection head and large laser racks it was said to cost over 1 million, so. It is only a trickle, though considering the time it took to see this price level reduction, rather slow.

@ARROW-AV, US and EU are both closed for eachother's citizens till the end of the year, for now.

Florida heay, what retirement community are you moving into? Electric golf cart instead of those hyper cars you keep refering to;-).
 
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