I would take a look at the new Revel Concerta series. Vandys require precise placement to shine, so I don't consider them really friendly.
Originally Posted by tonygeno Vandys require precise placement to shine, so I don't consider them really friendly. |
Originally Posted by Nuance Vandersteen is definitely worth auditioning in my opinion. If you can, try to get some used Vandersteen 2CE Signatures. When properly set up, they sound better than almost every other speaker I have heard (except the other speakers in the Vandersteen line), and I have auditioned dozens of speakers (many that cost well over 10K). Yes, the Monitor Audio line is nice, but I read a review in which they stated they liked the RS6 better than the RS8. Yes, the old “S†silver series has been replaced by the “RS†series, but the RS6 is $1000 brand new (within your budget). The Monitor Stuff is not as nice as the Vandersteen stuff for music, however. They come with a detailed instruction on how to properly set them up. Do you own Vandersteen's or have you ever set a pair of them up, because it is not very hard at all? Don't believe everything you read; try it and experience it for yourself! |
Originally Posted by tonygeno I've owned 2Cs, and 3As. I would not consider them "friendly" or "cooperative", based on your description of the detailed instructions needed to properly set them up. The OP's mileage may vary, of course. |
Originally Posted by PULLIAMM Waterfall Acoustics makes some nice speakers out of glass... Oh, wait, did you mean transparent sound? Never mind! |
Originally Posted by Nuance Well then you know how easy it was to set them up |
Originally Posted by tonygeno Their first order design means that you have to be in the "sweet" spot for them to really sing. As long as you don't mind your head being in a 12" area to fully appreciate them, the OP should give the a try. However, given my understanding of his requirements, they do not seem to be the "friendly" speaker he's looking for. I think he'd be better off with a speaker that uses steeper crossovers as they tend to be less placement sensitive. |
Originally Posted by Nuance I am tired of playing your argument game. Go find someone else to nag because it won't work with me anymore. You didn't like the Vandersteens and felt they have a 12" listening window. I like them a lot and can walk around my living room without losing any accuracy or transient response. |
Originally Posted by Nuance They come with a detailed instruction on how to properly set them up. Do you own Vandersteen's or have you ever set a pair of them up, because it is not very hard at all? Don't believe everything you read; try it and experience it for yourself! |
Originally Posted by Nuance Well then you know how easy it was to set them up, unless of course you didn’t know what you were doing or had limited space for the speakers. |
Originally Posted by tonygeno You seem to follow all my posts with a nasty little response. So, who's playing the games? Here are some of your nuances for this thread, directed at me: and Who's playing the argument game? And, who's nagging whom? Hmmmm........ Now, to get back to the discussion at hand: any speaker will lose accuracy or transient response walking around the room. Any speaker. Vandersteens will just lose it earlier, unless you did something to the crossover. First order crossovers inherently have a small sweet spot. That sweet spot is very sweet: I've owned Thiels, Vandersteens and my all time 1st order faves, Duntech PCL-3s. While they all sounded different, they all threw a holographic image in the sweet spot. Outside of the sweet spot, they all sounded rather mediocre. If the Vanderseens perform the way you say they do when walking around the room, why the need for the "precise" setup? And how is that setup varied as you walk around the room? Have you connected them to some sort of device that magically varies the tilt as you sit or stand? As I said in the other thread, have a nice life. |