Well just in case... I've set the DVR to get all six of these movies anyway as they appear over the next week or so (including Platoon's next replay).
The worst that can happen is they'll be disappointing, but they also might be surprises, as apparently Platoon was (for those who did get it the other night).
All in all, Ong-Bak is still the one I'm most looking forward to because it's the one I haven't actually seen already. I understand it's supposed to be remarkable from a martial arts perspective because there are NO SPECIAL EFFECTS. No CGI magic. Just pure skill! I don't have any great expectations on the story or the rest of it, but I have been told the martial arts sequences are quite surprising because of the pure skill exhibited.
But for anyone who hasn't ever seen "Days of Heaven", it's a classic which won the Cinematography Oscar for Haskell Wexler. Genuinely beautiful when I saw it in the theater back in the day. Let's hope the print and HD(?) transfer does not insult the craft.
----------------------------------------------------------------------------------------
"Days of Heaven (1978) is an exquisite, lyrical film of exceptional visual beauty and only the second film of writer-director Terrence Malick, following his critically-acclaimed success with an equally-haunting and visually-striking Badlands (1973). This moody, elegiac film has universally been acclaimed as a cinematographic masterpiece, from the talents of Cuban-born European Nestor Almendros (and 'additional photography' by Haskell Wexler), with naturally-lit, sweeping, 70mm images of crystal clarity and scope, and artfully composed scenes reminiscent of Andrew Wyeth paintings. The film's tagline proclaimed: "Your eyes... Your ears... Your senses... will be overwhelmed.
"However, the surreal, epic-type film counterposes its superlative photography with a slim tale of working class protagonists, told with sparse dialogue and the jarring, quirky, drawling, and dispassionate, colloquial voice-over narration of a streetwise, but unschooled 13 year old girl (Manz). The film is also a social chronicling of the rough-hewn, simple lives of migrant American harvest workers in the Gilded Age during a time of growing industrialization, told with a mix of classical music, contemporary music, and natural sounds."